There are moments on the Living website when one suspects that Martha Stewart may have once held fine art aspirations. In an article explaining how to compose a mushroom print, she writes, “The embryonic shape, diaphanous structure, and creamy spores of an amanita make it a good solo subject; this one recalls a Surrealist photogram.” Sure, she’s no avant-gardener, and she is a strident formalist, but a case can be made for a select handful of fine artworks from Stewart’s oeuvre.
- The invention of pliage is attributed to painter Simon Hantaï. Martha creates pliage works under a humbler name: tie dye. This method consists of folding the canvas, painting it, then stretching it to reveal graphic shapes that evoke space, scale shifts, and atmosphere. Stewart's T-shirts and wrapping paper pliage (intentionally?) recalls the work of her predecessor.
- Martha's mushroom prints do kinda recall Surrealist photograms.
- Her marbling may lack the complexity of, say, that of Philip Taaffe or Roland Flexner, but its vibrant hue and luscious ink handling demonstrates more-than-proficient skill.
- Anyone who makes overlapping squares will eventually end up with something that resembles an Albers, but her palette borrows directly from his.
- Martha never self-identifies as a conceptual artist. However, this decoupaged chest seems to aspire to a gestalt similar to Kosuth’s “One and Three Chairs.”
- AFC’s Will Brand sent me this “cornhole game,” in conjunction with a Koons image of a dick fucking a
vaginaasshole. [Editor’s note: amended via reader feedback.] Thanks, Will!
- For further reading, check out a slideshow of portraits a la Cindy Sherman.
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she is the best
Yes, she really is the best. I wish I could remember which book I found it in, but there is a short essay in a catalog of Tom Friedman’s work that quite delightfully compares Stewart’s work to that of Friedman.Â
as i recall she has a degree in Art History…. and I’m not ashamed to admit i like the color combination and color schemes on many of her products.Â
but .. i don’t think i’ll be making a cornhole game any time soon.
Oh, come on! The fact is that Martha has employees who create those arty projects. She no doubt renders verdicts on what her employees present to her, but she is not the creator.
What Martha Stewart stands for is mediocrity. Palin and simple. No color too bright, no art too sophisticated, just enough to not offend anyone, or keep them from buying something. This is not art, it is anti-art.
Most decorators and designers dabble in art — this is not remarkable. Â Many artists feel a pull toward practical art; hence, design and decor for everyday use.
I hate to dissent from the other commenters, but I think I agree with the point of the blog post: Martha Stewart is our generations greatest artist, and maybe the greatest of all time.Â
so martha stewart = damien hirst 2.0?
Everybody looks at art or at things that are perceived as art differently. So there is no sense in criticising anyone’s taste in art.
Hate to be the ol’ fuddy duddy here – Â but I was just reading a story about the Yahoo CEO who got fired, and they had a warning that there was a “word” at the bottom of the page that might be offensive to people. I’m reading this article innocently, and get down to the cornhole game. I really wish I had been warned. It is true, a picture is worth a thousand words.
But Martha is amazing and inspiring. She is precise and skillful in her artistry.
NSFW (not safe for work) was in the title. I don’t know how much more warning we can give.Â
Oh jeez, sorry about that. Â Koons is kind of a low blow. Â
Was the cornhole finale meant to demonstrate the authors judgment, or was it just a cheap trick? I’m no Martha Stewart acolyte, but I’m grateful for some advice I once got on her website on how to make a ceramic holder with wire and pliers. I strongly agree with what ‘peachfuzz’ wrote. I’ll add that some of the more visually appealing and comprehensible art being offered in many galleries is very interior design-based. We’re in a very vacuous moment in what is being encouraged by art schools and their corporate promoters. Except for reasons of perceived status, no one is in a position to get an attitude toward Martha Stewart or any other purveyors to the gentrified masses.
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