Molly Rhinestones

The Armory Show opened this week, creating a theme park for art collectors and lovers from across the globe. Over 200 galleries and site specific installations are on view at Pier 92 and 94 on the Hudson River. This year features a welcome overhaul of the fair’s floor plan, spearheaded by the new director, Benjamin Genocchio. The delineation of a “Modern” section, usually on view at Pier 92, has been phased out, relocating 17 dealers from the “Galleries” section and the “Focus” artists upstairs. In past iterations of the fair it seemed highlights were positioned in high traffic areas near the entrance and by the time the fair fatigue hit you found yourself stuck at a dead end inside labyrinth of the dullest booths. The new design features wider aisles and better traffic management, making for a vastly more pleasant experience. This year’s a hit folks—at least in terms of visitor experience.

In particular, the Armory’s special “Focus” section, curated by Jarret Gregory, stood out. The section culled 10 artists from around the world together to examine a question taken from 19th Century Russian Socialist Writer Nikolai “Chernyshevsky, “What Is To Be Done?” (a breath of fresh air when at times the theme of the fair seems to be “How Many Yayoi Kusama and Marina Abramovic Works Can We Fit Into This Pier.”).

My highlights and commentary below.