Archive of Paddy Johnson

Paddy Johnson is the founding editor of Art Fag City. In addition to her work on the blog, she has been published in New York Magazine, artreview.com, Art in America, The Daily, Print Magazine, Time Out NY, The Reeler, The Daily Beast, The Huffington Post, The Guardian, and New York Press, and linked to by publications such as The New York Times, The Wall Street Journal, New York Magazine, Boing-Boing, The New York Observer, Gawker, Design Observer, Make Magazine, The Awl, Artinfo, and we-make-money-not-art. Paddy lectures widely about art and the Internet at venues including Yale University, Parsons, Rutgers, South by Southwest, and the Whitney Independent Study Program. In 2008, she became the first blogger to earn a Creative Capital Arts Writers grant from the Creative Capital Foundation. Paddy is also the art editor at The L Magazine, where she writes a regular column.

Paddy has written 1428 article(s) for AFC.

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Paddy Johnson

e-flux Offers Early .ART Domain Registration to Professionals

by Paddy Johnson on February 2, 2017
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Just how important is it for art professionals have access to .ART domains? The conceptual artists behind the collective e-flux believe it’s essential and have thus spent six years working on the project and hundreds of thousands of dollars trying to secure management of the domain. Ultimately they lost the bid to UK Creative Ideas Limited (UKCI) in 2015, a set back that as of yesterday turned out to be only temporary. On Wednesday e-flux announced their collaboration with UKCI, to offer early access to the .ART domain to those who are signed up to e-flux mailing list. Starting February 8th and running through May 8th, e-flux will offer subscribers early access to the domain registration.

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Justin Peck’s “The Times Are Racing”: Biting, But Not Too Hard

by Paddy Johnson on February 1, 2017
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To be sure, “The Times Are Racing” is no Swan Lake (also at The New York City Ballet). But does the production live up to Peck’s reputation for genius? There’s no short answer to this question.

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ONLINE PREMIERE: “Ways of Something – Episode 3”

by Paddy Johnson on January 30, 2017
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With John Berger’s death this month, the online premiere of Lorna Mills’ “Ways of Something, 3” feels particularly poignant. While Mills’s “Ways of Something” wasn’t conceived strictly as an update, as 117 person re-interpretation it effectively functions as such. To complete this piece, Mills invited over 100 artists to remake all four parts of Berger’s 1972 BBC series “Ways of Seeing”, minute by minute. Each artist was given 60 seconds of video—doled out on a first come first serve basis—with the sole condition that they would need to retain the text used in captioning. What they did to the captioning font, the visuals, the sound, was entirely up to them.

The result is almost certainly the largest video exquisite corpse in existence. Similar to the first Surrealist conceived exquisite corpse drawings, where each half is made blind of the other, each artist creates a minute without knowing what will come before or after it.

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All the Vermeers Now on Electric Objects

by Paddy Johnson on January 25, 2017
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By now, many of us are familiar with Electric Objects (EO). The company produces electronic screens designed to display art. That art can come from the pictures you take on your phone, but it can also come from Art Club, a subscription based service that gives subscribers access to everything from classic works of art to new commissioned work made by contemporary artists.

According to EO, the goal of the product is to make art more accessible—an end they learned was desirable when their 2014 Kickstarter campaign and raised close to $800,000 of their $25,000 goal. Just how accessible does this make art? There’s no shortage of debate on that subject amongst our friends on facebook, but in our books, Art Club made a big jump in that department today.

This morning, the company launched “All the Vermeers” a collection featuring all 35 paintings from the famed 17th-century Dutch artist Johannes Vermeer.

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