Archive of Paddy Johnson

Paddy Johnson is the founding editor of Art Fag City. In addition to her work on the blog, she has been published in New York Magazine, artreview.com, Art in America, The Daily, Print Magazine, Time Out NY, The Reeler, The Daily Beast, The Huffington Post, The Guardian, and New York Press, and linked to by publications such as The New York Times, The Wall Street Journal, New York Magazine, Boing-Boing, The New York Observer, Gawker, Design Observer, Make Magazine, The Awl, Artinfo, and we-make-money-not-art. Paddy lectures widely about art and the Internet at venues including Yale University, Parsons, Rutgers, South by Southwest, and the Whitney Independent Study Program. In 2008, she became the first blogger to earn a Creative Capital Arts Writers grant from the Creative Capital Foundation. Paddy is also the art editor at The L Magazine, where she writes a regular column.

Paddy has written 1270 article(s) for AFC.

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Paddy Johnson

Philosophers and Donors Invited to MoCA’s Living Room

by Paddy Johnson on March 30, 2016
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Say good-bye to the Museum of Canadian Contemporary Art (MOCCA). Henceforth the institution will be referred to as “The Museum” — or The Museum of Contemporary Art, or “everyone’s living room”.

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I Watched the Grand Theft Auto Deer Cam for 48 hours

by Paddy Johnson on March 22, 2016
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As I write this, I’m watching a deer run through a desolate crime-ridden industrial park set in an action adventure game. The steed is the star of San Andreas Deer Cam, a live video stream from a computer running a hacked version of Grand Theft Auto V. The hack, created by artist Brent Watanabe, follows the animal as it traverses more than 100 square miles of San Andreas, a semi-fictional state in GTA V. The landscape is obviously modeled off a combination of California and Nevada.

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The Artist-Centric Movement has its Milestone Moment: SPRING/BREAK

by Paddy Johnson on March 7, 2016
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Walking around SPRING/BREAK this Saturday seemed indicative of a watershed moment. The artist-centric movement we’ve been tracking for the last several years is finally gaining more visibility and commercial success and no where is that more evident than this fair.

Located on the administrative floors at Moynihan Station (above the main post office), over 100 curated projects took over once occupied office space. These rooms were painted, wallpapered and filled with weird, temporary installations of fake apartments, medical institutions and cut out gardens. They also included paintings, collages and any other medium you can think of. Meanwhile, lines of fair goers wrapped around the building waiting to get in—even from the outside the excitement was palpable.

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