Last week was a blur. We ran around to the Armory Show, Independent, Moving Image, Spring/Break, and the ADAA Art Show, all in order to bring you a bevy of slideshows, reports, and a “We Went To.” We’re proud of our coverage, and hope you’ll like reading it, too. Enjoy.
Earlier in the day we debated whether the Independent was anything other than a fair (it’s not). Now we discuss the art in the fair. We had a lot more to say about the Independent than we did the Armory Show, so that’s at least one good sign for its future.
Art fairs can seem depressingly uniform, all of them decked out with bright lights, oppressive cubicles, and constant noise of the art-world rabble. So after a week of peeking over heads to view art, visiting Moving Image can seem downright eerie.
Even by itself, the Armory Show is overwhelming. With the Armory Show’s booths extending to the vanishing point in both directions of Pier 94, it can leave an unsettling impression of endlessness, where everything starts to look the same. And amidst the vastness of this week’s equally-momentous art events (a three-part Whitney Biennial, and the Armory’s satellites), this weekend could use a break of something more human in scale.
Earlier in the day we reported that many visitors were unable to identify standout work at the Armory, despite the buoyant atmosphere. In this post we identify why: Very few works actually stood out. Looking back at the hundreds of photographs we took during our visit, we have very little to say about the work we saw. Thus, our slideshow provides an overall impression of a relatively bland fair, with few high points or low points along the way.