When viewed on a cell phone this bird’s throat looks like a ball sack. I know this because I spent the last 15 minutes chuckling about it with the AFC staff after a friend texted me the image. Naturally, we love it.
Do you like EDM? Naked people? Queer-ish things? Digitally rendered, naked, queer-ish people dancing to EDM? Then watch “Xen” by Arca—with a video by Jesse Kanda—showing yet another iteration of the musician’s alter-ego “Xen.” This avatar’s pretty sexy, but there are others on Kanda‘s site that are rather grotesque. Happy ‘tubing!
Fuck you, workplace. Joseph Keckler joins the chorus of artists throughout the ages who think you should all go shroud yourselves in vinyl and return to the Goth of your youth. Emerge from the cubicle like the black swan that you are inside.
We’re glad to see that The Art Handlers Alliance of New York exists. The organization works to secure health benefits, fair wages, job protection for the thousands of handlers working in the city. Tuesday November 4th they will finalize their Bill of Rights at Momenta, which they are encouraging institutions to follow. Additionally, they’re talking about instituting all kinds of services; a legal workshop on the new sick day law, formalizing a job-referral network and hosting quarterly openings showcasing the work of members in the alliance.
Amy Poehler’s satire is spot on in her role as self-important art dealer. Playing the role of a blonde Edna Mode, this collection of outtakes for her Old Navy commercial has Poehler skewering the art world in less than 50 seconds.
Can we expect a future where digital art hangs on the walls of everyone’s homes? Electric Objects, the startup that’s creating a home-computer display system for Internet-based art, called EO1 has been wildly successful. So far they raised a whopping $787,612 on Kickstarter for these digital art screens—their original goal was $25,000. And now, adding to the start up’s momentum, they’re launching a “Net Artist in Residence” program with the New York Public Library (NYPL).
There comes a time in a young critic’s life—after hours spent seeking meaning in a press release about Lady Gaga’s latest Jeff Koons partnership, or in a comment hole under leaked photos of George Bush bathroom portraits, or when you turn down the volume on the Gaza Strip news to snicker at some poor bastard’s social media faux pas—when you wonder: why am I doing this? What’s it all for? What gnarled life path has led me to arrive at this soulless place?
In lieu of really good reasons (there are none), The Onion’s film critic Peter K. Rosenthal at least has militant resolve to finish this doomed crusade.
It’s rare that we get a look inside North Korean culture–the country largely blocks access to outsiders, while a restrictive U.S. embargo makes it difficult for museums to purchase North Korean art, even from third-parties. A current exhibition at the Venice Architectural Biennale, though, gives us some more insight into the culture of the notoriously isolated country.