From the category archives:

Explain Me

Revolution for the Family: Heather Bhandari and Nikki Columbus on Pandemic Parenting, Art, and Activism

by Paddy Johnson and William Powhida on May 19, 2020
The Abrons Art Center has paid all their staff and performers during the shutdown.

The Abrons Art Center has paid all their staff and performers during the shutdown.

This week on Explain Me, co-hosts William Powhida and Paddy Johnson talk to arts organizers and activists Heather Bhandari and Nikki Columbus about the challenges for mothers during the pandemic, and the challenges for arts workers seeking to make changes to a system that no longer works for them. 

Of the family-focused topics discussed we take on pandemic screen time for kids (Bhandari describes DinoTrux as terrible for kids, but a necessary evil), what to do if your toddler licks a bodega door, and disrupted schedules that make it impossible to find or look for work and require long and often unusual hours. 

On the subject of organizing we discuss several projects spearheaded by Bhandari and Columbus respectively designed to pave actionable paths for artists. 

Finally we discuss Frieze New York, and contrast their dubious charity efforts during the fair to the more collective NADA art fair model that works towards a sustainable model for everyone. Show links below. 

The Art World Conference 

Forward Union 

Art/Work, Heather Bhandari and Jonathan Melber 

N+1, Free Your Mind, by Claire Bishop and Nikki Columbus

Art+Work+Place, Emergency Session I, Veralist Center

Art+Work+Place, Emergency Session II, Veralist Center

Museum transparency Newsletter (Read about all the layoffs and other bad news that’s happening in the museum world right now—of which there is a ton.)

The Model Model: Ethical Actions by Arts Organizations in the time of COVID-19 (Read about the good news and exemplary work by arts organizations.) 

Obama Commencement Speech

#graduatetogether2020 (twitter hashtag) 

Frieze Art Fair (May 8-15th) 

NADA Fair (May 20-June 21)

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From L.A. With Love: Thoughts on Online Viewing Rooms, Museum Layoffs, and More with Carolina Miranda and Michael Shaw

by Paddy Johnson and William Powhida on April 20, 2020
Steve Locke Student 338, 2016 Hydrocal, galvanized steel nails, procion dye, shellac approximately 12x4.5x5.5" $4,000

Steve Locke, Student 338, 2016, Hydrocal, galvanized steel nails, procion dye, shellac
approximately 12×4.5×5.5″, $4,000. Link to item.

This week on Explain Me, William Powhida and Paddy Johnson speak with artist Michael Shaw and L.A. staff writer Carolina Miranda how quarantining is affecting artists, galleries and journalists on the West Coast. Shaw talks about the prospect of losing his studio of nine years, The L.A. Tenants Union and landlords who are neither friendly nor flexible. Miranda speaks about cuts at the L.A. Times and the surrounding museums, as well as her latest story on how corona is impacting commercial galleries.

We take a virtual visit to the Dallas Art Fair together, and talk about the art we’ve enjoyed recently. All links below.

NEWS

Marciano Collection Announces it won’t reopen in wake of layoffs following union drive. — L.A. Times

MOCA lays off all 97 part time employees — L.A. Times

Uovo lays off pro union organizers while others are paid to stay at home —The Art Newspaper

How Arts Non-profits are responding to COVID – Hyperallergic

LACMA began demolition: But that hasn’t stopped a protest group for an alternate plan—L.A. Times

Painful closures lie ahead for L.A. galleries. How 35 are bracing for the worst. — L.A. Times

ART

The Dallas Art Fair 

Mark Amerika’s Grammatron

Wellnow.wtf

Scott Mendes—Darren Bader’s VR app (still not released)

El Greco Audio Tour—Art Institute of Chicago.

This is Chance—99% Invisible

Sheep video review — The New York Times

The Weirdly Enduring Appeal of Weird Al Yankovic — The New York Times

Magda Sawon’s Twitter

SUBSCRIBE

Explain Me Patreon 

The Conversation Patreon

The L.A. Times

Hyperallergic membership

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Explain Me with Jonathan Schwartz of Atelier4 and Magda Sawon of Postmasters

by Paddy Johnson and William Powhida on March 29, 2020
Serkan Özkaya's Proletarier Aller Länder (Workers of the World) 1999, Image via Postmaster's Gallery.

Serkan Özkaya’s Proletarier Aller Länder (Workers of the World) 1999, Image via Postmaster’s Gallery.

In this episode of Explain Me, hosts Paddy Johnson and William Powhida talk to Magda Sawon of Postmasters Gallery in New York, and Jonathan Schwartz, the CEO and founder of Atelier4, an arts logistics company based out of New York. The discussion includes stories and conversations you won’t find anywhere else.

Schwartz reports that at least one logistics company is currently breaking the law to ship art, and that Fedex trucks are in short supply because they’re being used to transport the dead.

Magda describes the challenges for galleries which range from financial burdens to the need to better consider the online art environment.

William and Paddy discuss the financial precarity of artists, writers, and educators.

As a group we talk about what needs to be done to respond to the crisis and what is being done. We also make the mini announcement that we will be launching a Patreon for Explain Me in the next week or two. More details on that soon!

We’re looking at a radical shift in opportunity, so this conversation includes a fair amount of debate. We’re also doing it over zoom, with William on the phone due to an internet connectivity issue. This isn’t the best recording quality we’ve ever produced, but it might be the most important episode. Please tune in.

COMING UP: Resources for freelancers and art organizations. What relief is available and how long it will take to get to the people who need it.

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Explain Me: Standing in Quicksand

by Paddy Johnson on February 12, 2019
Thumbnail image for Explain Me: Standing in Quicksand

We cover a lot of ground in this episode of Explain Me. That ground looks something like this:

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Museum Board Members Fail Moral Challenges, Museum Exhibitions Exceed Expectations

by Paddy Johnson on December 4, 2018
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Donna DeSalvo assembles some of Andy Warhol’s greatest work for his retrospective at the Whitney Museum, while revelations that Whitney Vice Chair Warren B. Kanders owns a company that sells tear gas used at the border shake museum staff. Soul of a Nation at the Brooklyn Museum looks at the history of political activism, while Jack Waters offers a mix of bag of awe inspiring abject art paired with groan inspiring sculptures and paintings. Jack Whitten at the Metropolitan Museum dazzles, Art and Conspiracy flops, and Amazon is going to drive Queens residents out of their homes.

Listen ——>

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Live From Forward Union: Four Women Who Are Using Art to Change the World

by Paddy Johnson on September 29, 2018
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It’s been a rough news week. Between Thursday’s testimonies of Dr. Christine Blasey Ford and Judge Brett Kavanaugh before the Senate Judiciary Committee, and Kavanaugh’s near appointment to the Supreme Court Friday, many of us are exhausted. We would like a win for women.

Sometimes the quickest way to achieve that is to do it yourself. As such, this episode of Explain Me celebrates women who have made waves in the world of art and activism, through a series of interviews with four major figures—Mia Pearlman (Make NY True Blue), Jenny Dubnau (ASAP), Nancy Kleaver (PARADE), and Mira Schor (Selected writing).

In the first half of the show, Mia Pearlman and Jenny Dubnau talk about their work pushing for changes at the city and state level and how being an artist makes that job easier. In the second half, Paddy Johnson and Nancy Kleaver talk about their new public art organization, PARADE, and Mira Schor talks about the history of feminism in art from the 1970’s through to today, and her contributions. Stream it. Download it. Listen to it. This one’s important.

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Explain Me: The Case for Taxing The Hell Out of Peter Brant

by Paddy Johnson on July 16, 2018
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In this episode of Explain Me William Powhida and Paddy Johnson discuss the horrific business practices of Peter Brant and Interview Magazine, a fundraising campaign at University of North Carolina so misguided that firing is in order, and the latest headscratching Creative Time project. To help us discuss all of this, and how the new tax code will affect artists accountant and painter Hannah Cole joins us.

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Explain Me: Bags of Cash Help New Galleries

by Paddy Johnson on June 6, 2018
Thumbnail image for Explain Me: Bags of Cash Help New Galleries

In this episode we discuss how the Frieze Art Fair’s failing air conditioning units won’t help global warming, sales strategies for emerging artists, and galleries that have come and gone. Look to Part II where we discuss the difference between social practice and relational aesthetics and discuss the Doug Aitken show at 303.

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Explain Me: Related Utopias—Bitcoin Economies and the Art World

by Paddy Johnson on May 1, 2018
Thumbnail image for Explain Me: Related Utopias—Bitcoin Economies and the Art World

This week on Explain Me, William Powhida and Paddy Johnson talk with artist Kevin McCoy about Blockchain, Bitcoin and the Monegraph. This episode is your ultimate bitcoin/blockchain/monegraph explainer.


LINKS 

Monegraph

Seven on Seven, 2014

Public Key/Private Key

READING LIST  

Hito Steyerl – If you don’t have bread, eat Art!
Does Digital Culture Want to be Free?
How blockchains are transforming the economy of cultural goods

http://www.academia.edu/33838249/Does_digital_culture_want_to_be_free_How_blockchains_are_transforming_the_economy_of_cultural_goods

Show sponsor:

Superfine

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Explain Me: The New Museum Triennial—Two Critics Perform Their Own Acts of Sabotage

by Paddy Johnson on April 18, 2018
Thumbnail image for Explain Me: The New Museum Triennial—Two Critics Perform Their Own Acts of Sabotage

In this episode of Explain Me, Paddy Johnson and William Powhida discuss the New Museum Triennial. Both Johnson and Powhida agree this show has more of its fair share of bad art but only Powhida sees this as a dealbreaker. Debate ensues. The ad in which Pepsi and model Kendall Jenner create world peace gets a mention.

Thanks to Explain Me sponsor, Superfine

Laura Ouramonde

Lydia Ourahmane, “Finitude, 2018, Courtesy of the Artist

Chemu Ng’ok Image via: Hyperallergic

Chemu Ng’ok Image via: Hyperallergic

 

Anupam Roy installation view

Anupam Roy installation view

Gresham Tapiwa Nyaude, The New Zimbabwe (2018) at "2018 Triennial: Songs

Gresham Tapiwa Nyaude, The New Zimbabwe (2018) at “2018 Triennial: Songs

 

Manolis D. Lemos, dusk and dawn look just the same (riot tourism), 2017 (still). Courtesy of the artist and CAN Christina Androulidaki Gallery, Athens

Manolis D. Lemos, dusk and dawn look just the same (riot tourism), 2017 (still). Courtesy of the artist and CAN Christina Androulidaki Gallery, Athens

Haroon Gunn-Salie “Senzenina” (2018), an installation by the South African artist Haroon Gunn- Salie, memorializes the 2012 police massacre of striking miners in his homeland.

Haroon Gunn-Salie “Senzenina” (2018), an installation by the South African artist Haroon Gunn- Salie, memorializes the 2012 police massacre of striking miners in his homeland.

 

Hardeep Pandhal, Pool Party Pilot Episode, 2018, 4K animation, color, sound; 8:10 min. Hardeep Pandhal.

Hardeep Pandhal, Pool Party Pilot Episode, 2018, 4K animation, color, sound; 8:10 min. Hardeep Pandhal.

 

Tomm El-Saieh

Tomm El-Saieh

 

Tiril Hasselknippe

Tiril Hasselknippe, installation view

PRONOUNCIATION GUIDE

Gary Carrion-Murayari

** Carry-on Mur-uh-yar-ee

Tomm El-Saieh

** El-say

Lydia Ourahmane

** Oura-ha-mane

Chemu Ng’ok

** Chem-oo Nuh-gok

Gresham Tapiwa Nyaude

** Tap-ee-wa Naw-u-deh

Manolis D. Lemos

** Man-o-lis Lem-os

Tiril Hasselknippe

** Tir-ill Has-ul-nip

Hardeep Pandhal

** Pand-al

Haroon Gunn-Salie ** Sal-ley

Anupam Roy

** A-new-pam

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