Artsy just posted an interview with London-based collector Sarah Elson who’s devised a “residency-cum-homespun exhibition” that’s a “new form of art patronage.” It’s actually just the same model of patronage that’s existed for centuries.
What will transform Turin, Italy into the internationally renowned artistic hub for the avant-garde it is meant to be? Artissima, an organization that describes itself as “a window onto the most experimental frontier of the visual arts” has a three-part plan. It’s outlined in their press release, which is perfect for any human who has recently undergone a lobotomy.
Unrelated stories about Iran, Israel and art have come up three times in an art context over the course of two days. That’s unusual here at AFC so I’ve taken the liberty of bundling a few reflections into a post.