You searched for:

peter burr

///\\/\\//\\\\/\///\\/\\\\ \\\\///\\/\/\/\/\\//\\/\\/ /\//\/\/////\\//\/\\///\\\ \////\\\/\/\\\\\/\/////\\/ /\//\/\//\\/\///\\\/\/\/\/ ///\/\\\/\\///\/\///////// /\/\\\\\//\/\\\\/\\\\//\\\

by Peter Burr and Porpentine on February 25, 2015
Thumbnail image for ///\\/\\//\\\\/\///\\/\\\\ \\\\///\\/\/\/\/\\//\\/\\/ /\//\/\/////\\//\/\\///\\\  \////\\\/\/\\\\\/\/////\\/  /\//\/\//\\/\///\\\/\/\/\/ ///\/\\\/\\///\/\/////////  /\/\\\\\//\/\\\\/\\\\//\\\

Editor’s Note: IMG MGMT is a series of image-based essays by artists. This week’s artists are Peter Burr and Porpentine. We recommend viewing this essay in “Dark Mode” , a new feature that changes the default background on the blog to black. It can be turned off and on by using the button just above our ads.

Burr is a current NYFA fellow in Digital/Electronic Arts whose work has been shown in a range of spaces over the past decade including floating cinemas, cartoon schools, semi-legalized squats, libraries, and national museums. This includes MoMA PS1, Le Centre Pompidou, and The Museo Nacional Centro de Arte Reina Sofía. Porpentine is a fem organism whose games and curation have contributed to the popularity of accessible game design software Twine. She’s won the XYZZY and Indiecade awards, had her work displayed at EMP Museum and The Museum of the Moving Image, and been profiled by the NYTimes.

Read the full article →

Highlights From The Marciano Collection

by Michael Anthony Farley on July 26, 2017
Thumbnail image for Highlights From The Marciano Collection

The Marciano Art Foundation has been the biggest pleasant surprise of 2017. As I’ve mentioned on the blog before, the new museum, funded by the GUESS Jeans fortune, delivers big-time with site-specific special projects from Jim Shaw and Ryan Trecartin and Lizzie Fitch. Those installations are so enthusiasm-inspiring it’s almost easy to overlook the “quieter” collection itself, on display mainly in the third floor galleries.

That would be a mistake, because the collection—the bones of the Marciano Art Foundation—has been curated in such a satisfying , thoughtfully-paced manner that the viewing experience stays engaging throughout. That’s a rarity, unfortunately, in so many hangs of private collections, which tend not to have a specific focus beyond showing off their holdings. Here, though, there are narrative interests evident in the Marcianos’ collection, perhaps highlighted by the apocalyptic nature of the Jim Shaw show and the site-specific “behind-the-scenes” vibe of the Trecartin/Fitch collaboration—namely an interest in social tension or upheaval and works that reveal their process, respectively.

Read the full article →

The Best of Everything, 2016

by Paddy Johnson and Michael Anthony Farley on December 30, 2016
Thumbnail image for The Best of Everything, 2016

We were pretty sure 2016 was a stinker until we sat down to reflect on all that was good. Going through the images on our phones and our archives, we learned there’s actually quite a bit to celebrate. So much so, in fact, it took us an entire week to assemble this post. That’s quite a bit of time, but it was worth every minute. Here’s to all the artists, curators and performers that made our days and lives better this year.

Read the full article →
Read the full article →

New Yorkers Win Big in Creative Capital’s $4,370,000 Granting Round

by Michael Anthony Farley on January 13, 2016
Thumbnail image for New Yorkers Win Big in Creative Capital’s $4,370,000 Granting Round

Creative Capital just announced $4,370,000 of support for 46 projects and 63 artists in 2016. Of those 43 projects, nearly half are located in New York City and of those 63 artists. over half are people of color.

Read the full article →

The Best of Art F City, 2015

by Rea McNamara on December 31, 2015
Thumbnail image for The Best of Art F City, 2015

Revisiting the ‘Simple Net Art Diagram’, reviewing an art fair’s virtual tour, calling out Georg Baselitz, breaking news on the USC MFA Class, and even bringing back nerdocracy. Readers, we truly feel a real sense of accomplishment for the stories we wrote in 2015, especially after amassing them in a ‘Best of’ list such as this. We not only paid artists to attend art fairs, but also investigated sexism is arts publishing and even had two Renaissance cosmetics experts dish on body hair removal. Who else publishes this shit? No one.

Read the full article →

The Best 25 Shows of 2015

by The AFC Staff on December 31, 2015
Thumbnail image for The Best 25 Shows of 2015

2015 was great for art. For all the bitching that went on about art fairs, the dominance of the market, and sub-par museum shows (cough, cough Björk), I saw more great shows than I have in my ten years working as a critic in New York. Rather than try to whittle our picks down to a few select shows, we wrote up every show we thought was truly exemplary.

Read the full article →

The Best Unrepresented Artists of 2015

by The AFC Staff on December 28, 2015
Thumbnail image for The Best Unrepresented Artists of 2015

As 2015 comes to a close, the internet is awash with “top 10” and “best of” lists. But one art world metric of success that’s under-discussed (and nearly-universally sought) is gallery representation. So we’ve asked past and present AFC editors to weigh in on the artists that commercial galleries haven’t snagged exclusive contracts with yet—despite acclaim from critics, museums, and audiences. In the interest of gender parity in the notoriously sexist world of gallery representation, we’re each selecting one male-identified and one female-identified artist.

To that end, here are the best and brightest boys and girls who’ve yet to be drafted

Read the full article →