Once a year “American Realness” takes over the Abrons Art Center to present two weeks of new and experimental dance-cum-performance. Last year, the pervasive theme running through the festival told a story of survival. It’s hard out there for an artist. This year, curator Ben Pryor assembled a group of performances focused on identity and institutional critique with a bit of self-reflexive formalism thrown in.
I saw too many performances to review, so what follows is a brief recap of my viewing, along with a few thoughts and reflections.