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Alicia Grullon

This Week’s Must-See Art Events: Have Your Cake & Smash It Too

by Michael Anthony Farley on February 6, 2017
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Welcome to the new normal. We at AFC have noticed a decline in artistic output from Brooklyn’s DIY scene as of late, while commercial galleries and institutions in Manhattan (and a few in Queens) have been gearing-up for battle mode with politically-charged programming. We’re hoping this is because everyone in Brooklyn is too busy thinking about resistance, and not because they’ve fled the country.

Tuesday night, The New School is hosting a talk about female bodies online, and Wednesday, the New Museum is opening a massive Raymond Pettibon show. After checking it out, head down the block to ICP, where curators will be discussing the loaded Perpetual Revolution: The Image and Social Change. More talks will come Thursday, such as the Brooklyn Museum’s call to defend immigrants and the Flux Factory/ABC No Rio potluck/opening/discussion about artists’ mutual aid in times like these. Friday night, take a break from political angst to get lost in the dreamy paintings of Jordan Kasey at Nicelle Beauchene, or the likely dreamier office set E.S.P. TV has staged at Pioneer Works. The weekend brings more great art and opportunities for creative resistance: be sure to check out the Queens Museum’s event to build climate change resistance coalitions between artists and activists.

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Do It Slow: A Conversation With Sara Reisman on ‘Enacting Stillness’

by Emily Colucci on December 20, 2016
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Stillness as a form of protest is nothing new. There are numerous examples of die-ins, sit-ins and even, hunger strikes that mobilize through immobility. And yet, at a time when many are searching for methods of resistance to Trump’s upcoming administration, a reminder of the potential power of stillness seems necessary.

A current exhibition at The 8th Floor provides this much-needed refresher. Enacting Stillness gathers a group of artists who use slow moving bodies and themes of waiting, silence or inaction in order to provoke dialogue and maybe even, political change.

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People Have The Power: “Of the people” At Smack Mellon

by Emily Colucci on July 6, 2016
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“Register to vote here,” reads a sign board in front of Smack Mellon. This sign is an unexpected sight, even for a Brooklyn non-profit art space known for its provocative shows. While art and politics frequently meet theoretically in the contemporary art world, they don’t often merge in such a blatantly practical way.

The connection between electoral politics and art drives Smack Mellon’s current exhibition Of the people. Curated by Erin Donnelly, Of the people arrives just in time for both the Democratic and Republican national conventions this month. The timing was not lost on Donnelly who brings together a multidisciplinary group of artists from around the United States to investigate, as the press release describes, “the of-the-moment political opinions shaping the 2016 presidential race.”

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This Week’s Must-See Events: Queer Power Edition

by Paddy Johnson and Michael Anthony Farley on June 13, 2016
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Monday’s been a rough day for us here at AFC as I’m sure it has for many readers. We’re still processing the horrific news of Orlando’s mass killing Sunday morning and it’s made writing much of anything difficult. Is there anything that can be said on the subject of guns, prayers, Islam, hate crimes and ISIS that social media hasn’t covered?

Probably not, that doesn’t diminish our need to mourn. One way we’ve decided to do this is to  focus on queer events in this week’s must see events. It’s a small gesture to be sure—we’re not saving any lives. But it’s what we can do to say to the families, friends and lovers of those lost that, “you’re not alone.”  

So, let’s talk all things homo-tastic: Monday night, Neil Goldberg revisits the David Lynch classic ERASERHEAD with a queer perspective. Tuesday, the unsung godfather of glam illustration Antonio Lopez gets his long-overdue retrospective at El Museo del Barrio, and two events at BRIC and Mitchell Innes & Nash bring queer/feminist perspectives to the city’s affordability crisis. Wednesday night, dyke icon K8 Hardy opens a mysterious solo show at Stap-On Projects while Thursday offers a one-night-only performance/installation from Scottish duo Ruby Pester and Nadia Rossi, who will be tackling sexuality, gender, and more at Bannerette. Friday night, head to Bushwick, where the Hot Summer Nights gallery crawl has some queer-tastic highlights in time for Pride month—be sure to catch Los Ojos’s all-LGBTQ group show and Vincent Tiley’s solo project at Christopher Stout Gallery. Also in Brooklyn Friday night: solo shows from AFC favs Björn Meyer-Ebrecht and Rachel Stern at Studio 10 and Black & White Projects, respectively, both located in the same building.

If you’re not politically/emotionally exhausted by the weekend, we recommend checking out the massive group show Of the people on Saturday at Smack Mellon. It’s all about the issues involved in this fucked, fucked election cycle. So when you’re feeling thoroughly anti-establishment, check out the Queens Museum’s Sunday panel on the visual legacy of punk.

It’s too late to wish everyone a happy Pride Month, but hopefully we can at least have a thoughtful one.

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At the Bronx Museum: Another Biennial Sets Out With Heart, But Leads With Resumes

by Whitney Kimball on August 8, 2013
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In its thirty-three year run, the Bronx Museum’s AIM (Artists in the Marketplace) Program has touched a surprising extent of the New York art world. It’s rare to go on a gallery tour in this city without coming across one of its alumni, who range from establishment members like Glenn Ligon and Anton Vidokle, to rising stars like LaToya Ruby Frazier and David Gilbert. And now, AIM’s second Biennial “Bronx Calling”–a recent development for program alums–adds 73 new members to the roster. It’s a truly diverse showing of New York City-based talent getting its first leg-up into the art market. As far as the commercial art world is concerned, AIM is the Bronx Museum’s most significant contribution to New York art. So why aren’t people talking about this?

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