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Barbara Kruger

This Week’s Must-See Art Events: Summer in the City

by Michael Anthony Farley on June 21, 2016
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When I started compiling a list of art events for this week, I thought “this is going to be slim pickings.” There’s a stereotype that New York in the Summer sucks because everyone’s gone to the beach except tourists who stupidly vacation in Manhattan instead of also going to the beach. But that’s totally not true!

There’s plenty of cool stuff to do in New York this week, including a storefront installation from Jeff De Golier that opened today at FOUR A.M. Wendy White (pictured above) has a solo show of California-dreamin’ surf-inspired paintings (for those of you who are thinking longingly of the seashore) at Eric Firestone Loft. Wednesday, Xaviera Simmons unveils a new series of body-centric work at The Kitchen and Booth Gallery is (by happy coincidence) hosting a panel discussion on the future of figuration right afterwards. We’re looking at two group shows with big-name, smart artists at Team Gallery and Pace. Friday, The National Sculpture Conference kicks-off its three-day fest of all things sculpture, from figure sculpting classes to a supplies vendor fair on Saturday and 3D printing on Sunday. Friday night, take in a show all about children from Trevor Shimizu (there’s a Jessica Alba tribute!) and a group show at Lehmann Maupin featuring French-Algerian wunderkind Kader Attia alongside Tim Rollins & K.O.S. and Mickalene Thomas.

Saturday the Queens Museum promises to be “overrun by hoards of punks” for a celebration of all things Ramones, including a flea market. Then bounce down to Brooklyn for a group show at American Medium. But the real party happens Sunday, when a mysterious fest thrown by some very arty queers takes over a secret loft in Gowanus. If you’re not exhausted after that, be sure to check out Nancy Shaver’s solo show at Derek Eller—she makes diorama-like assemblages that make boxy grids fun again. And really, fun is the name of the game this week.

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Breaking into Broken Systems: On Being Marginalized, and the “Politics of Refusal”

by Rea McNamara on May 31, 2016
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On a sunny Sunday afternoon, the second floor of Toronto’s Theater Center was packed with artists for the panel DAMNED IF YOU DO: A Conversation on the Politics of Refusal. Co-presented by local artist-run center Whippersnapper Gallery, the panel focused on stories and strategies from the trenches of the “marginalized”: namely, the tricky pursuit of navigating art and funding systems as an “artist of colour” or “visible minority” or whatever fraught PC term can describe what it means to be a racialized body in the art world.

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There’s So Much Giant Single-Word Public Artwork in New York City

by Michael Anthony Farley on April 20, 2016
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Next month, Public Art Fund is installing a giant text piece by Martin Creed in Brooklyn Bridge Park. This will be one of three text-based sculptures in the area when it opens. What is up with New York’s love of big, single words?

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We Went to No Man’s Land: Women Artists from The Rubell Family Collection

by Paddy Johnson and Michael Anthony Farley on December 21, 2015
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At the Rubell Family Collection, dozens of contemporary women artists working in every conceivable medium left us very impressed.

Michael: Here, the blue-chip market and a private collector managed to accomplish something many institutions or independent curators haven’t—presenting an all-female show that feels as if it has nothing to prove.

Paddy: I still can’t get over how many monumental art works in this show so effectively dominated the space that you’d literally feel awestruck by their presence.

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SLIDESHOW: Inside the New Whitney

by Paddy Johnson on April 23, 2015
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You gotta see this.

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Our Take On “The Cat Show” at White Columns—With Kitty Pics!

by Corinna Kirsch on June 20, 2013
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The Cat Show at White Columns has everything and nothing to do with cats. Everything, because most of the 134 artworks show cats or cat-related ephemera—like litter boxes, scratching posts, or yarn. Nothing, because the themes of many of these works aren’t about cats at all.

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More Fire at MoCA: An Art Museum Without Artists [UPDATE]

by Whitney Kimball on July 16, 2012
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MoCA’s controversial forced resignation of Paul Schimmel can officially be upgraded to SOS. In a series of open letters and public resignations, MoCA board members have spent the past week letting the museum know what they think of its decision.

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