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Brandi Twilley

2017-2018 Recipients of Sharpe-Walentas Studio Program Announced

by Michael Anthony Farley on June 7, 2017
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The Sharpe-Walentas Studio Program has announced their 2017-2018 artists and we couldn’t be more thrilled. The seventeen selected applicants (out of over 1,300) include several names we’ve mentioned on the blog, along with frequent AFC collaborator Jaimie Warren. We’re excited they’ll be AFC’s neighbors in DUMBO.

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This Week’s Must-See Art Events: Nightmares Before Christmas

by Michael Anthony Farley on December 12, 2016
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This week there’s not a lot of art stuff happening beyond holiday parties and craft fairs. One could say NYC’s taken an unexpectedly Middle-American turn in that regard, were it not for how morbid so much of the week’s happenings are. Tuesday night, scholars Sam Tanenhaus and Richard Wolin perform a post-election autopsy on the American Republic and speculate about its afterlife (hint: It’s not looking good) at CUNY. For a slightly less depressing evening, head to Ubu Gallery where German artist Heide Hatry is opening a new series of drawings made with the ashes of human remains. If that’s not enough mortuary holiday cheer for you, Con Artist Collective is throwing a fake memorial art show for the comedian Bill Murray (one of the few national treasures that hasn’t died in 2016). Thursday night we’re looking forward to a subversive holiday group show at Kate Werble Gallery, and a six-hour night of discussions about Art After Trump at Housing Works.

Friday night, things get a little less bleak city-wide. P! and Beverly’s are hosting events for a Bard CSS project that sprawls across Chinatown and continues with satellite events all weekend. At Brooklyn’s Orgy Park, a group show invites painters to make something collaborative, and in Queens, MoMA PS1 is throwing a holiday party for artists that looks totally bonkers. Have some spiked hot chocolate. After a week of thinking about Trump and death, you’re going to need it.

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Burning Down The House: An Interview With Brandi Twilley On “The Living Room”

by Emily Colucci on August 10, 2016
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How accurate are the precious memories of our childhood homes? And what happens when those memories are all that’s left after the home is irreversibly destroyed?

Artist Brandi Twilley attempts to answer these questions through a series of ten paintings in her current solo exhibition The Living Room at Sargent’s Daughters. Her paintings painstakingly document an estimated six year progression of the living room in her childhood home. This spans the room’s water damage and a fire, which burned the house to the ground in 1999 when she was 16-years old.

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This Week’s Must-See Art Events: Every Event We’ve Listed Today Has a Penis

by Paddy Johnson and Whitney Kimball on December 8, 2014
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Because what this blog needs is more dicks.

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