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brion gysin

Covering The Waterfront: The DUMBO Gallery Round-Up Part 1

by Emily Colucci on October 6, 2016
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Can art thrive in the land of startups and $10 coffee? Neither is known to be particularly art friendly, so the question seemed relevant as I headed over to DUMBO. Dotting the neighborhood are several non-profits (and a few for-profit spaces), many of which are beneficiaries of the space subsidy program run by Two Trees, the largest (and arguably only) arts-friendly developer in the city. The program offers these spaces rents at reduced retail prices. (Disclaimer: Art F City is a space subsidy program participant.)

This fall, the proliferation of non-profits in the neighborhood hosts more than its share of politically oriented shows. Following my last gallery round-up in the West Village, I decided to cruise the Brooklyn waterfront on a Saturday afternoon to see what these non-profits to offer for their fall shows. And I was not disappointed. Here’s what I found:

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[Sponsor] Gallery Diet & ART BLOG ART BLOG present ASTRAL WEEKS

by Sponsors on July 23, 2012
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Gallery Diet is extremely pleased to announce the opening of ASTRAL WEEKS curated by Van Hanos. This show is the second in a two-part series of exhibitions ART BLOG ART BLOG is presenting at Gallery Diet during the summer of 2012.

ASTRAL WEEKS will feature works by  Liz Deschenes, Brock Enright, Keltie Ferris, Jackie Gendel, Brion Gysin, Heist/Breyer P-Orridge, Corinne Jones, Jon Kessler, Nicolas Lobo, Rory Parks, Genesis Breyer P-Orridge, Chad Scoville, and Patrick Walsh.

ASTRAL WEEKS runs from July 19 to September 1, 2012 with an opening reception on Thursday, July 19, 6-9 pm.

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Brion Gysin at the New Museum: A Dreamachine of Limited Vision

by Liza Eliano on September 1, 2010
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“I am that I am,” declares Brion Gysin in a video projection, his deep voice resonating throughout the second floor of the New Museum. The statement promises to reveal something about this lesser-known artist of the Beat generation, even if that something is unclear. As Gysin anxiously repeats permutations of the statement—“Am I that I […]

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