By now, we’ve surveyed the fall landscape in New York City, and we’ve seen enough to confidently air some complaints about that. If this tells you anything, Jen and Paul’s bus tour, which drives around mocking Chelsea, tops our list.
And among the other gems: a reconstruction of a 2007 installation by the late Jason Rhoades; Regina Rex’s new Manhattan gallery; and a show by Sadie Benning. And surprisingly, Paddy Johnson likes the Dan Graham pavilion on the Met’s rooftop. Those, and other redeeming shows, after the jump!
Good abstract visual poetry exists. Take Erica Baum’s The Paper Nautilus at Bureau. In square photographic prints, Baum zooms in on the dog-ears on illustrated book pages– cropping the frame so that the square photograph is split diagonally from bottom left to top right corner, by the page crease. The dog ears, and the corner of the page beneath them, retain only triangular corners of illustrations and photographs. There’s no linear meaning to be drawn from these works, and yet, the mismatched pairings of triangles form a stable visual rhythm. The abstract squares resemble Josef Albers’s color studies, only in grayscale, and printed out on a dot matrix printer.