by Michael Anthony Farley on April 11, 2017
This is a bit of a slow week in New York’s art world. That’s a good thing, because everyone will need their energy for our goth party next week.
Nevertheless, we managed to track down at least one art outing per day that looks promising. Tuesday, Wong Kit Yi is closing her show of Arctic-specific performance documentation at P [exclamation]. Karaoke is rumored to be involved. Wednesday, Hercules Art Studio Program is opening a show about painting and the body that couldn’t feel more relevant to contemporary discourse. Thursday, we found a subversive performance night at Ridgewood’s The Woods, and Friday we’re looking forward to checking out Adrián Villar Rojas’s rooftop installation at the Met. This weekend MoMA opens the must-see Making Space: Women Artists and Postwar Abstraction, and the Queens Museum will host a Sunday book launch of election-woe poetry.
Remember: rest up. You’ll need that energy for dancing.
Read the full article →
by Michael Anthony Farley on January 9, 2017
New York’s week is characterized by two dominant themes: revisiting art history, and women owning “nastiness”. Monday, NYU’s Grey Art Gallery is launching Inventing Downtown, an ambitious look at how artist-run spaces informed the city’s radical aesthetics decades ago. Tuesday, Kate Hush illuminates archetypal feminine deception and betrayal at Cooler Gallery. She’ll be joined by legions of Nasty Women starting Thursday, when the Knockdown Center kicks-off a four-day fundraiser for Planned Parenthood featuring art, dance parties, and more. Alden Projects has a timely survey of Jenny Holzer’s early poster work that opens Friday, and White Columns is opening it’s 11th Annual, Looking Back. That’s but a sampling of the art history-mining going on this week. Stay nasty, New York, and remember that you always have been.
Read the full article →
