One of the few positive side effects of Trump’s chaotic pussy-grabbing rise to power is the revitalization of feminism as an active political tool. Between the Women’s March and women-driven exhibitions like Nasty Women, women are now at the forefront of the resistance to Trump’s dangerous administration. The strength of this feminist revival explains why the failure of A.I.R. Gallery’s 12th biennial exhibition Sinister Feminism is such a disappointment.
Rather than a strong rebuke of a misogynist administration, Sinister Feminism, curated by Piper Marshall with Lola Kramer, shows a stubborn refusal to scrap wonky aesthetic concerns in a time of political emergency. Not only is the exhibition’s attempt to rethink feminist art’s essentialism hackneyed, it also felt disassociated from reality.