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christiane paul

This Week’s Must-See Art Events: It’s All About the Turtlenecks

by Michael Anthony Farley and Rea McNamara on December 8, 2015
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This week’s expectedly slow post-ABMB madness, so let’s take a moment to recognize the hard work of art handlers, who had to pack up and deliver all those art fair works. Appropriately enough, the Art Handlers Alliance of New York is hosting a happy hour tonight at Brooklyn’s Interference Archive to talk shop and fair wages. Tomorrow, pick between a big screening of a Hollywood blockbuster (Ridley Scott’s The Martian at MoMA), or a panel discussion parsing Robert Frank’s The Americans (Further Down the Line at Lisa Cooley). Thursday and Friday mark digital art openings at the Pratt Manhattan Gallery (the Christiane Paul-curated surveillance-minded group show, Little Sister) and Postmasters (Kristin Lucas and Joe McKay’s user designer mishaps Away From Keyboard). Post-Postmasters opening, get your fill on turtlenecks with the launch of Catharine Maloney’s Teleplay, Part I photographic series at Printer Matter.

And, since this is December, the weekend promises holiday markets: Saturday’s Tropic-Aire at Regina Rex sounds like, in the words of Michael a “love child from a one-night-stand between a suburban holiday craft fair and NADA”, and Sunday’s Holiday Intercourse at Pioneer Works gives you a good reason to head out to Red Hook. Don’t go into winter hibernation just yet.

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Finally, a Semi-Definitive Definition of Post-Internet Art

by Paddy Johnson on October 14, 2014
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Those in search of a definitive text on post-internet artmaking now have a source book to download. Curators Karen Archey and Robin Peckham have released Art Post-Internet, a catalogue to accompany their show Art Post-Internet at the Ullens Center for Contemporary Art, Beijing China. More than that, it’s full of primary source research and information about post-internet art from dozens of critics, curators and museum professionals. These include Christiane Paul, Ben Davis, Domenico Quaranta and myself to name a few. Each catalog receives its own unique unique download number, as well as a weather report for the day and place where it was downloaded.

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This Week’s Must See Events: This is What Liberation Feels Like™

by Paddy Johnson and Whitney Kimball on September 16, 2014
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If you thought the barrage of openings was over think again. We’re now into week three of opening season. And luckily there’s some good shows on the horizon. Those who are into military inspired Bauhaus drawings, will be pleased to learn that the Drawing Center opens an Alexander ‘Xanti’ Schawinsky this Thursday. Those who are into memes and digital aesthetics have a discussion at PRATT to attend this Friday with, among other star curators, Christiane Paul (The Whitney) and Boris Groys (everywhere). And finally, this Friday the ICA opens a multilingual opera by Alex de Corte and Jayson Musson we’re more than curious about. Musson will be playing his famed youtube persona Hennessy Youngman, so we can’t wait to see what he does with de Corte.

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This Week’s Must-See Art Events: Let’s Get Real

by Corinna Kirsch and Whitney Kimball on January 13, 2014
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If the economy has given us one gift in the emerging art world, it’s a lot of activities involving sweatbands and opportunities for cheap dates. This week is no different.

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This Week’s Must-See Art Events: Performa Alternatives

by The AFC Staff on November 4, 2013
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And there are so many.

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Book Review: Speculative Scenarios, or what will happen to digital art in the (near) future

by Corinna Kirsch on September 11, 2013
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“Curating digital artworks in physical spaces and online exhibitions is becoming more widespread, but such exhibitions mostly take place outside the world of traditional art.” This present-day dilemma posed by Independent Curator Annet Dekker forms the basis of Speculative Scenarios, or what will happen to digital art in the (near) future, a new publication that gathers responses on how to tackle digital art’s conflicted relationship to museums and more traditional, offline exhibition sites. The point is: Digital art is being shown, but museums aren’t playing a large enough role in its collection, exhibition, or conservation.

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Okay, So Who’s Gonna Run Rhizome?

by Will Brand on May 7, 2012
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C’mon, who’s it gonna be? Rhizome has posted a job listing to replace Lauren Cornell as Executive Director, but nobody seems to have any idea who could replace her. The applicant would need to be familiar with net art and new media, have curatorial and/or grant-writing experience, and have the ability to bring in cash money from donors and collectors. Who fits that profile? We have no idea.

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