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deborah kass

Girl Power Is Back: Top 10 Shows For Women In 2016

by Emily Colucci on December 21, 2016
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Despite the misogynistic horror of Donald Trump’s campaign and eventual election victory, 2016 was a great year for women in the art. There were compelling solo exhibitions by women artists in major institutions, a copious list of all-women group shows and dynamic revivals of unfairly overlooked female artists’ careers. It seems like 2016 marked the return of much-needed 1990’s-style “girl power.”

Granted, there’s still a long way to go for equal representation, particularly for women artists of color. But, hopefully, this is just the beginning. To celebrate this year’s exciting and timely return to feminism, I selected the ten best shows featuring women in 2016. Results below:

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Is 2016 the new 1994? Feminism in the Art World

by Emily Colucci on May 26, 2016
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Is recent art history repeating itself? An increasingly long roster of new all-women group exhibitions and their corresponding press seem to suggest so. From blue-chip stalwarts Hauser Wirth & Schimmel and Saatchi to smaller project and artist-run spaces to last night’s Marc Straus opening If Only Bella Abzug Were Here, are all-female group shows an indication of a permanent commitment to gender equality in the art world or is it just another doomed-to-disappear trend?

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There’s So Much Giant Single-Word Public Artwork in New York City

by Michael Anthony Farley on April 20, 2016
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Next month, Public Art Fund is installing a giant text piece by Martin Creed in Brooklyn Bridge Park. This will be one of three text-based sculptures in the area when it opens. What is up with New York’s love of big, single words?

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Worst of 2015

by Michael Anthony Farley on December 30, 2015
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What were the top five most scandalous stories we covered this year? The ones people read, shared, and re-tweeted the most, of course. I delved into our site stats to ask why we love bad news so much.

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We Went to No Man’s Land: Women Artists from The Rubell Family Collection

by Paddy Johnson and Michael Anthony Farley on December 21, 2015
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At the Rubell Family Collection, dozens of contemporary women artists working in every conceivable medium left us very impressed.

Michael: Here, the blue-chip market and a private collector managed to accomplish something many institutions or independent curators haven’t—presenting an all-female show that feels as if it has nothing to prove.

Paddy: I still can’t get over how many monumental art works in this show so effectively dominated the space that you’d literally feel awestruck by their presence.

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Everyone in Their Twenties Looks Gorgeous: Deborah Kass on Her New Show at Sargent’s Daughters

by Paddy Johnson on May 20, 2015
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Who’s heading to Deborah Kass’s opening at Sargent’s Daughters tonight? She’ll be showing two years of paintings from her series “America’s Most Wanted” (1998-1999), which draws on Andy Warhol’s similarly named series, “13 Most Wanted Men.” Kass, a long-time feminist and spokesperson for the arts, has our interest.

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