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Devin Kenny

This Weeks Must-See Art Events: The Art World Mobilizes for 2017

by Paddy Johnson and Michael Anthony Farley on January 3, 2017
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For everyone who has complained that the art world is too apolitical in the past month or so, take note of how 2017 is kicking off. We have a week of feminist exhibitions, the start of a month-long project about Trump’s America Saturday at Petzel Gallery, and shows that tackle topics from water contamination to the holocaust and the attack on the Pulse nightclub in Orlando.

Welcome to the art world in the Trump era. If the list of participants at Petzel’s event is any indication, the big guns are coming out.

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This Week’s Must-See Art Events: Nightmares Before Christmas

by Michael Anthony Farley on December 12, 2016
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This week there’s not a lot of art stuff happening beyond holiday parties and craft fairs. One could say NYC’s taken an unexpectedly Middle-American turn in that regard, were it not for how morbid so much of the week’s happenings are. Tuesday night, scholars Sam Tanenhaus and Richard Wolin perform a post-election autopsy on the American Republic and speculate about its afterlife (hint: It’s not looking good) at CUNY. For a slightly less depressing evening, head to Ubu Gallery where German artist Heide Hatry is opening a new series of drawings made with the ashes of human remains. If that’s not enough mortuary holiday cheer for you, Con Artist Collective is throwing a fake memorial art show for the comedian Bill Murray (one of the few national treasures that hasn’t died in 2016). Thursday night we’re looking forward to a subversive holiday group show at Kate Werble Gallery, and a six-hour night of discussions about Art After Trump at Housing Works.

Friday night, things get a little less bleak city-wide. P! and Beverly’s are hosting events for a Bard CSS project that sprawls across Chinatown and continues with satellite events all weekend. At Brooklyn’s Orgy Park, a group show invites painters to make something collaborative, and in Queens, MoMA PS1 is throwing a holiday party for artists that looks totally bonkers. Have some spiked hot chocolate. After a week of thinking about Trump and death, you’re going to need it.

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Sign Up for the AFC Workshops Today!

by The AFC Staff on May 4, 2016
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From URL to IRL, how does an artist stake out their territory in the 21st Century? By teaming up with peer-run initiatives outside the scope of traditional institutions to skillshare and collaborate. Enter, the Art F City Workshops, a series of courses led by artists, educators and art-world insiders designed to give artists the tools they need to get ahead. From learning how to make an online exhibition to figuring out a digital archiving plan for your artworks, these workshops will not only give attendees the skills they need to work in more digital mediums but help them to manage their art online and off.

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New Free Courses, Brooklyn Headquarters for BHQFU Spring Semester

by Michael Anthony Farley on January 13, 2016
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The Bruce High Quality Foundation University is back with new free courses—and bigger/better/badder than ever after a move to Brooklyn.

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This Week’s Must-See Art Events: Depression Filmmaking, Magic Painting, an Actual Discussion on Gentrification

by Whitney Kimball on January 26, 2015
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Once the sidewalks are shoveled, we have no excuse. AFC’s Paddy Johnson curated a show; Busby Berkeley screens at Light Industry; politicians will be confronted about gentrification, among other picks.

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An Informal Survey of Swag: The Sociology of Hip Hop In the Micro-World of Emerging Net Art

by Jennifer Chan on September 14, 2012
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Cultural studies has established that suburban white kids love hip hop in a complex manner; heaps has been written on aspiration, colorblindedness, misogynism, emulation, and subordination. But just what makes hip hop so appealing to net artists? Instead of passing off any attempt to indulge in hip hop as a 1:1 relationship between appropriation and mockery, I’m interested in looking at how different artists incorporate hip hop in their artwork to talk about themselves.

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