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Farley Aguilar

I’m Afraid Of Americans: Farley Aguilar’s “Bad Color Book” At Lyles & King

by Emily Colucci on January 18, 2017
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Sometimes it takes the right sociopolitical moment for an artist’s work to land its critique. That’s precisely what happened with Farley Aguilar’s paintings, currently on view in his solo show Bad Color Book at Lyles & King.

A couple years ago when I saw his work at Volta New York, I wrote off the Florida-based artist’s monumental splattered canvases as a throwback to the hypermasculine, “bigger is better” style of painting. But, his current exhibition, filled with threatening representations of crowds, resonates with the populist anger and frenzied mob mentality tapped into by Donald Trump. While Aguilar sourced his painting’s imagery from vintage photographs, his themes, rendered with an anxious, frenetic hand, are chillingly timely.

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This Weeks Must-See Art Events: The Art World Mobilizes for 2017

by Paddy Johnson and Michael Anthony Farley on January 3, 2017
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For everyone who has complained that the art world is too apolitical in the past month or so, take note of how 2017 is kicking off. We have a week of feminist exhibitions, the start of a month-long project about Trump’s America Saturday at Petzel Gallery, and shows that tackle topics from water contamination to the holocaust and the attack on the Pulse nightclub in Orlando.

Welcome to the art world in the Trump era. If the list of participants at Petzel’s event is any indication, the big guns are coming out.

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