Life is a shit hole to be laughed at. So goes the M.O. I imagine for Gavin Kenyon, who, in his latest show at Ramiken Crucible, departs from his painstakingly modeled, homicidal axes, to engage in process-based work. The result is a dynamic and visceral show that draws attention to Kenyon’s caustic, dry wit and his ability to create a sense of bleak isolation.
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