Posts tagged as:

hilton als

This Week’s Must-See Art Events: Rejoice! Our Times Are Intolerable and Nasty Women Are Front-and-Center

by Michael Anthony Farley on January 9, 2017
Thumbnail image for This Week’s Must-See Art Events: Rejoice! Our Times Are Intolerable and Nasty Women Are Front-and-Center

New York’s week is characterized by two dominant themes: revisiting art history, and women owning “nastiness”. Monday, NYU’s Grey Art Gallery is launching Inventing Downtown, an ambitious look at how artist-run spaces informed the city’s radical aesthetics decades ago. Tuesday, Kate Hush illuminates archetypal feminine deception and betrayal at Cooler Gallery. She’ll be joined by legions of Nasty Women starting Thursday, when the Knockdown Center kicks-off a four-day fundraiser for Planned Parenthood featuring art, dance parties, and more. Alden Projects has a timely survey of Jenny Holzer’s early poster work that opens Friday, and White Columns is opening it’s 11th Annual, Looking Back. That’s but a sampling of the art history-mining going on this week. Stay nasty, New York, and remember that you always have been.

Read the full article →

The Sum of Everything: An Interview with Charles Atlas

by Rea McNamara on February 12, 2016
Thumbnail image for The Sum of Everything: An Interview with Charles Atlas

“The career of the American filmmaker Charles Atlas has been a steady but slow-burning fire for more than 40 years,” wrote Holland Cotter just last year. Despite pioneering the media-dance art form, and collaborating with dancers and performers like Michael Clark, Marina Abramović and Leigh Bowery, Atlas didn’t have his first solo until 1995 at the Museo Nacional Centro de Arte Reina Sofía in Madrid. That’s a big name institution to land a solo with, but it’s only been within the past decade that he’s had a steady stream of solo presentations at institutions and galleries. Those include the Tate Modern, London’s Vilma Gold, and Luhring Augustine in Chelsea.

Why the CV gap? This question naturally came up in the context of Atlas’s recent screening of his early works in Toronto. Organized by Pleasuredome, the event was a cross-section of motion movies, narratives and video featurettes accompanied by a book launch of his first monograph at Art Metropole.

Read the full article →