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Ian Cheng

I Went To The Jewish Museum’s “Take Me (I’m Yours)” And All I Got Was This Stupid T-Shirt

by Emily Colucci on December 7, 2016
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A loud, tacky sign emblazoned with “Everything Must Go” would not feel out of place in the Jewish Museum’s current exhibition Take Me (I’m Yours). A rack of plastic goodie bags branded with the exhibition’s title hang in the show’s entrance, encouraging viewers to fill up on artist-made pins, T-shirts, used clothing, candy and a 25-cent ball of air from Yoko Ono. With this free-for-all curatorial style, the exhibit looks more like a display of samples than a contemporary art show.

That’s a bad thing. The whole show feels like a gimmick designed to lure people in the door by offering them free swag. Meanwhile, the Museum is presenting the idea that they are challenging the traditional relationship between art and its viewers, which not only isn’t true (it’s been done to death), it distracts from the sociopolitical critiques made by many of the artists in the show. Simply put, the show is a disaster.

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This Week’s Must See Events: A Week of Historicization

by Paddy Johnson on October 24, 2016
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Brace yourself: Pretty much every museum in the city has a major show launching, from The Met’s Kerry James Marshall show, to the Whitney’s Immersive Cinema survey, to the Rhizome and New Museum’s Net Art Anthology launch. We’re excited about EVERY. SINGLE. SHOW. Why? Because they are all historical shows in some way, attempting to chart a history of important art works and movements. This is important work.

Oddly enough, Historicizing seems to be a broader theme for the week in general—well, in at least one show. Saturday Elizabeth Dee will launch a mammoth show that attempts to look at the East Village scene of the 80’s and where those artists are now. This is a must-see exhibition, so between this, the museum shows, and everything else we have listed you’re going to be busy.

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Current Chelsea Status: Fun

by Whitney Kimball on December 16, 2011
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In an effort to cover more art before shows close, AFC decided to visit a handful of galleries and report what we saw. More than usual, I wanted to stay longer. Here are my notes from five shows at Mitchell-Innes & Nash, Mixed Greens, Paula Cooper, and Tanya Bonakdar.

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