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IMG MGMT Feature

IMG MGMT: Transience

by Sara Ludy on May 31, 2011
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Editor’s note: IMG MGMT is an image based essay series by artists. Today’s artist, Sara Ludy is a Los Angeles based artist and musician. She is a member of Computers Club and Tremblexy. This essay is purely image based.

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IMG MGMT: A Letter to Ron Tye

by Chris Collins on May 25, 2011
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Dear Mr Ron Tye,

This is going to be a strange email, both for me and for you. I have no idea how you’ll respond to me writing you out of the blue like this. So let me start off by assuring you that I am not a creep, a crazy person, or an internet troll.

Ron, I have been following your work for a long time.

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IMG MGMT: BACKUPZZ

by Paul B. Davis on May 23, 2011
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This IMG MGMT essay takes hundreds of image files found on Paul’s backups (see if you can spot Dragan Espenschied and Cory Arcangel) and uses them to make fun of Lev Manovich, Rafael Lozano-Hemmer, and art blogs.

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IMG MGMT: Before/After, 2009-present

by A.L. Steiner + Z Drucker on May 16, 2011
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IMG MGMT is a semi-annual image-based artist essay series. Today’s invited artists, A.L. Steiner and Z. Drucker, live in New York and Los Angeles respectively. Read the photo essay, take the quiz and share the results!

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IMG MGMT: ARTSCENTER TALKSOURCE

by Dushko Petrovich and Roger White on May 10, 2011
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Here at AFC we’ve often asked ourselves the question, What Does Art Criticism need? According to Roger White and Dushko Petrovich true transformation of the form will involve paywalls, platinum memberships and critiscope experience. Put your art visors on because you’re about to experience ARTSCENTER TALKSOURCE (the proposal).

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IMG MGMT Launches Tomorrow!

by Paddy Johnson on May 9, 2011
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In response to the growing number of images stored on artist hard drives we’ve decided to publish our IMG MGMT series more frequently! Launching tomorrow, our latest series of image based essays will include¬†contributors, Chris Collins, Paul B. Davis, Sara Ludy, Virginia Overton, Roger White + Dushko Petrovich,¬† Z. Drucker + A.L. Steiner, and Tommy White. What’s contained in these essays will mostly remain top secret till the series launch of course but we can tell you that Roger White + Dushko Petrovich promise to e-volutionize art criticism as we know it. That’s happening tomorrow and Thank God for that. I don’t think I could wait another day.

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IMG MGMT: New Century Modern Surface Magazine

by Josh Kline on October 21, 2010
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If you see something, say something. Orange alert. Bondi Blue alert. A big thank you to the Internet from CU & SC, GW & MA, Oral B, Design Within Reach, Steve Jobs, Sarah Palin, and AMC. “Thank you for providing us with easy access to limitless amounts of inspirational information, especially information from the 20th Century.”

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IMG MGMT: The Cube Show

by Deborah Kass on October 19, 2010
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IMG MGMT is an annual image-based artist essay series. Today's invited artist Deborah Kass is a Broadway baby whose paintings examine the intersection of art history, popular culture and the self.

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IMG MGMT: Untitled

by Sean Raspet on October 11, 2010
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In the past one might have imagined that were they to break/puncture a photograph that it would shatter like a mirror, or exhibit a literal rupture—i.e., tear like a piece of paper. In the present, a viewer is more likely to imagine that a semi-intelligent semi-transparent liquid would seep out, itself both a lens and a healing balm.

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IMG MGMT: New York Conversations (Day One)

by Anton Vidokle on September 27, 2010
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New York Conversations is a text film. Shot in a Chinatown storefront converted for this occasion into an improvised kitchen/restaurant, the film documents three days of public conversations between artists, critics, curators, and a free floating public. The talks, lunches, and dinners were organized by Rirkrit Tiravanija, Nico Dockx, and Anton Vidokle in response to an invitation by Brussels-based art journal A Prior to be the subject of their new issue. Instead of commissioning essays or producing artwork to be printed in the journal, the artists decided to rethink the structure by which an art publication is produced and to attempt to do this discursively in a public setting.

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