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Jen and Paul

This Week’s Must-See Art Events: F.A.G.’s Strange Genitals & More

by Paddy Johnson and Michael Anthony Farley on October 31, 2016
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If ever there was a week for art nerds, this is it. It begins Tuesday with a screening of artist made music-videos Otion Front Studio and a show of meticulously assembled abstract paper works by Jessica Dickinson and Alison Knowles at James Fuentes. Paper nerds and music nerds unite. By Friday, gallery goers will be heading to Transfer Gallery to witness a room full of projectors showcasing a playlist of works by a dozen or more new media artists.  New Media nerds rejoice.

In between all this nerdery, there are also quite a few exhibitions promising a good time, not the least of which being our very own Strange Genitals, which opens this Thursday at AICAD. Following this, is the always provocative Marilyn Minter at the Brooklyn Museum come Friday and Jennifer Catron and Paul Outlaw’s performance looking at how the relationship between gravity and politics leads to the break-down of thought. Catron and Outlaw promise an “assembly of libations” after their performance, so don’t make any plans for Sunday.

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Announcing Art F City’s Fall Fundraiser: Join the Resistance!

by The AFC Staff on October 7, 2015

Video by Jen Catron and Paul Outlaw

The moment you’ve been waiting for has arrived: the revolution has begun. There’s hope on the horizon for independent voices, artist-run spaces, and emerging artists. Corrupt institutions, the forces of art-world-evil, and counter-revolutionary art press face a new challenge to their regime: our Fall Fundraiser is live.

Help us liberate you.

Donate on our Indiegogo page and receive fabulous thank-you gifts: Matthew Barney Lip Balm, studio visits, limited-edition artwork, and much more!

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This Week’s Must See Events: Get Outta Town!

by Paddy Johnson and Whitney Kimball on September 3, 2014
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Let’s not sugarcoat this: Chelsea has become a glittering straight jacket for any artist who actually wants to experiment. The collector market tethers these artists to calculated production where artistic value and cost never seem to go hand in hand. This makes it hard to get too excited about opening night in Chelsea, and in fact, but for a handful of openings, we’re not. This is what we recommend.

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