This week, we get two critics’ opinions on MoMA’s latest painting show, “Inventing Abstraction: 1910-1925”. Is it a “splendid historical survey” (Schjeldahl) or “history written by the winners” (Saltz)?
Fiercely Independent. New York art news, reviews and culture commentary. Paddy Johnson, Editorial Director Michael Anthony Farley, Senior Editor Whitney Kimball, IMG MGMT Editor
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Paddy Johnson, Editorial Director