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Lindsay Howard

Okay, So Who’s Gonna Run Rhizome?

by Will Brand on May 7, 2012
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C’mon, who’s it gonna be? Rhizome has posted a job listing to replace Lauren Cornell as Executive Director, but nobody seems to have any idea who could replace her. The applicant would need to be familiar with net art and new media, have curatorial and/or grant-writing experience, and have the ability to bring in cash money from donors and collectors. Who fits that profile? We have no idea.

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“C.R.E.A.M.” at Art Micro-Patronage, Now in Excessive Detail!

by Will Brand on April 27, 2012
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Lindsay Howard’s exhibition “C.R.E.A.M.”, at Art Micro-Patronage, examines a few approaches to the problem of monetizing net art. I, in turn, am going to examine “C.R.E.A.M.”, in entirely too much detail. Let’s talk about net art.

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Enough With Dude-Centric Net Art Shows

by Paddy Johnson on April 17, 2012
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I’m getting tired of seeing listings for dude-dominated digital art shows. Just to count what I’ve seen in the last month: The USB Show, at Paris’s Le Point Éphémère two weeks ago, invited one woman artist to participate out of 21; Astral Projection Abduction Fantasy, which ran from February 23rd to March 23rd in Dublin, included three women out of 29 artists; and the April 12th BYOB show, in Milan, only included 9 women out of 42 invited artists. These shows might as well be Lilith Fair, though, relative to the worst recent offender, Dotcom, a show organized by the anonymous collective BSNP at the Centre d’Art Bastille in France. That group show runs through June 10th and includes no women at all.

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