Posts tagged as:

Lindsay Howard

GIF of the Day: And The Award Goes to Wallpapers!

by Paddy Johnson on September 15, 2014

lice

Let’s face it: last week’s GIF Free For All awards were a hot bed of incest, corruption and petty politics. It’s time to set the record straight. The real GIF Awards need to go to Wallpapers. Why? Because these are gifs that can be tiled, and we all know bigger is better.

Wallpapers is a collaborative project founded in 2011 by artists Sara Ludy, Nicolas Sassoon and Sylvain Sailly. Now in its second iteration, Wallpapers has been shown at 319 Scholes in New York (curated by Lindsay Howard), Western Front in Vancouver (curated by Sarah Todd), and PAMI Festival in London (curated by Bubblebyte.org). This latest iteration (the second), will show at the New Forms Festival 12 in Vancouver (curated by Malcolm Levy). Participants include Laura Brothers, Rollin Leonard, Sara Ludy, Lorna Mills, Brenna Murphy, Sylvain Sailly, Nicolas Sassoon, Rick Silva, Krist Wood.

Rick Silva

Rick Silva

And now to the burning question: Who has made the best GIF? I announce a tie between Sylvain Sailly, Rick Silva and Laura Brothers! These GIFs couldn’t look more different from each other, but they both possess the same quality: Graphic appeal. As a viewer, you want to see the loop completed. There may be no better marker of a good GIF.

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Interest on the Rise for Paddles ON! Digital Auction

by Paddy Johnson and Whitney Kimball on June 26, 2014
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Looks like Paddles ON! London, is on its way to replicating the strides made during last year’s much-discussed net-art auction, the first at a major auction house. Last fall, the auction held in New York at Phillips totalled $90,600 on the sale of 16 pieces out of 20 lots. People widely lauded the auction as a success—a GIF sold for $1,300 and the excitement from the live auction crowd was palpable—but financially, the case for Paddles ON! achievements aren’t clear cut. Nine of the works sold for less than their estimated bids, and four of those were bought in by the auction house.

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Okay, So Who’s Gonna Run Rhizome?

by Will Brand on May 7, 2012
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C’mon, who’s it gonna be? Rhizome has posted a job listing to replace Lauren Cornell as Executive Director, but nobody seems to have any idea who could replace her. The applicant would need to be familiar with net art and new media, have curatorial and/or grant-writing experience, and have the ability to bring in cash money from donors and collectors. Who fits that profile? We have no idea.

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“C.R.E.A.M.” at Art Micro-Patronage, Now in Excessive Detail!

by Will Brand on April 27, 2012
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Lindsay Howard’s exhibition “C.R.E.A.M.”, at Art Micro-Patronage, examines a few approaches to the problem of monetizing net art. I, in turn, am going to examine “C.R.E.A.M.”, in entirely too much detail. Let’s talk about net art.

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Enough With Dude-Centric Net Art Shows

by Paddy Johnson on April 17, 2012
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I’m getting tired of seeing listings for dude-dominated digital art shows. Just to count what I’ve seen in the last month: The USB Show, at Paris’s Le Point Éphémère two weeks ago, invited one woman artist to participate out of 21; Astral Projection Abduction Fantasy, which ran from February 23rd to March 23rd in Dublin, included three women out of 29 artists; and the April 12th BYOB show, in Milan, only included 9 women out of 42 invited artists. These shows might as well be Lilith Fair, though, relative to the worst recent offender, Dotcom, a show organized by the anonymous collective BSNP at the Centre d’Art Bastille in France. That group show runs through June 10th and includes no women at all.

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