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Loretta Fahrenholz

Improper Administration: Mike Hoolboom at Images

by Rea McNamara on April 25, 2016
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If you live in Toronto and have friends in the arts, they were likely busy last week. Most of the local art world were attending the screenings, gallery shows and live presentations launched as part of the Images Festival. Now in its 29th year, Images is the largest North American annual festival for experimental and independent film and video.

Few screenings saw greater demand than Mike Hoolboom’s sold out Incident Reports. Even press, such as myself, were put on a waiting list. This wasn’t exactly a surprise: the Toronto-based filmmaker is an influential figure in the Canadian film and media scenes. He’s not only had a prodigious output that’s warranted retrospectives at festivals worldwide (including Images), but is a co-founder of the exhibition collective Pleasuredome and was the first artistic director of Images (2000).

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This Week’s Must-See Art Events: Avoiding Anything Armory Edition

by Michael Anthony Farley and Rea McNamara on March 1, 2016
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Art-fair haters rejoice! The Armory Week Fairs are upon us, but there is art to see and events to attend that don’t require traveling through the halls of a convention center. Take the launch of Lorna Mills’ monthly GIF presentation on the electronic billboards of Times Square as part of Times Square Arts, or the opening of the Artist’s Institute’s new uptown home, which will kick off its six month season focused on the inimitable Hilton Als. Both take place outside of an art fair booth and in the real world!

Looking to escape the fairs this weekend? Flux Factory launches the Fung Wah Biennial, presenting the work of artists on the Chinatown bus routes. This Saturday, the destination is Boston, so if you’re looking for a post-Armory ride, this might be the ticket. (But act quick: as of writing, ten tickets are left.)

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We Went to No Man’s Land: Women Artists from The Rubell Family Collection

by Paddy Johnson and Michael Anthony Farley on December 21, 2015
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At the Rubell Family Collection, dozens of contemporary women artists working in every conceivable medium left us very impressed.

Michael: Here, the blue-chip market and a private collector managed to accomplish something many institutions or independent curators haven’t—presenting an all-female show that feels as if it has nothing to prove.

Paddy: I still can’t get over how many monumental art works in this show so effectively dominated the space that you’d literally feel awestruck by their presence.

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