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Louise Bourgeois

This Week’s Must-See Art Events: Djinns Against Digital Colonialism, John Waters Action Figures, and “Werifesteria”

by Michael Anthony Farley on May 22, 2017
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This week you’re in for a weird ride. From Aaron Pexa’s installation inspired by faeries from Welsh mythology (opening Wednesday at UrbanGlass) to a show of fake John Waters memorabilia Thursday night at La MaMa, there’s a lot of idiosyncratic happenings to partake in. Add to that itinerary a Friday night group show of emotion-altering colors (like the opposite of a mood ring!) at Small Editions and Eva Papamargariti’s speculative mutant frogs at TRANSFER on Saturday.

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We Went to Frieze, Part Two: Pussy Hat Show Flops, Anti-War Hard On Holds Up

by Paddy Johnson and Michael Anthony Farley on May 5, 2017
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Yesterday we discussed the overall look and feel of Frieze and concluded that this iteration of the fair is far superior to previous years. Lots of lively inventive work and short on the kind of soulless work in a frame that can make these events so tedious. Today we take a deep dive into a lot of the art we saw. Let’s get down to the nitty gritty.

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This Week’s Must-See Art Events: Arctic Performances and Rooftop Sculptures

by Michael Anthony Farley on April 11, 2017
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This is a bit of a slow week in New York’s art world. That’s a good thing, because everyone will need their energy for our goth party next week.

Nevertheless, we managed to track down at least one art outing per day that looks promising. Tuesday, Wong Kit Yi is closing her show of Arctic-specific performance documentation at P [exclamation]. Karaoke is rumored to be involved. Wednesday, Hercules Art Studio Program is opening a show about painting and the body that couldn’t feel more relevant to contemporary discourse. Thursday, we found a subversive performance night at Ridgewood’s The Woods, and Friday we’re looking forward to checking out Adrián Villar Rojas’s rooftop installation at the Met. This weekend MoMA opens the must-see Making Space: Women Artists and Postwar Abstraction, and the Queens Museum will host a Sunday book launch of election-woe poetry.

Remember: rest up. You’ll need that energy for dancing.

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This Week’s Must-See Art Events: Survive Art Fair Hell With Bushwick Punx and Georgia O’Keeffe

by Michael Anthony Farley on February 27, 2017
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It is hell week for the art world. What used to be referred to as “Armory Week” is now a beast spanning more art fairs than anyone has time or energy for. Now that NADA has joined the fray, it’s likely going to be more stressful, but at least slightly less soul-crushing.

To help navigate this mess, we’ve picked out the week’s highlights: the art fairs you really should see, as well as gallery, DIY, and museum events to help recover from the convention center lighting.

These events include an artist talk from photographer Elle Perez at  Daniel Cooney Fine Art on Tuesday, a peek at Georgia O’Keeffe’s personal style at the Brooklyn Museum on Friday, and the Silent Barn’s Paper Jazz Small Press Festival all weekend long in Bushwick.

Wear comfortable shoes. Bring aspirin. We’ll get through this together.

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No Paintings for Old Men: I’m Done With Amy Feldman

by RM Vaughan on February 24, 2017
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I have to hand it to NYC-based painter Amy Feldman: not every artist can cause me to temporarily lose the will to carry on writing and the energy to carry on chronicling our bankrupt, post-meaning culture. What, I wondered as I walked around the palatial Blain/Southern Gallery, is the damned point anymore? Confronted on all sides by Feldman’s aggressively vacuous, massive canvasses, I can’t even argue conclusively that Feldman’s work is good or bad. It operates so outside of any qualitative value scale that I understand—as if attacking the very idea of value—that it defeats all rational readings of art or art making. All I can do is respond. And respond I must.

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This Weeks Must-See Art Events: The Art World Mobilizes for 2017

by Paddy Johnson and Michael Anthony Farley on January 3, 2017
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For everyone who has complained that the art world is too apolitical in the past month or so, take note of how 2017 is kicking off. We have a week of feminist exhibitions, the start of a month-long project about Trump’s America Saturday at Petzel Gallery, and shows that tackle topics from water contamination to the holocaust and the attack on the Pulse nightclub in Orlando.

Welcome to the art world in the Trump era. If the list of participants at Petzel’s event is any indication, the big guns are coming out.

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Beyond Chelsea And The Lower East Side: The West Village Gallery Round-Up Part 2

by Emily Colucci on September 23, 2016
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Continuing my exploration of the West Village galleries’ September shows, I ventured above Houston Street to Maccarone and White Columns.

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Katherine Bradford and Drawing for Sculpture: Swimmers and Gender Politics

by Paddy Johnson on January 22, 2016
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With a snow storm threatening the weekend gallery goer routines of most New Yorkers, perhaps only the most intrepid will make out tomorrow and Sunday. But for those who haven’t yet seen today’s recommended shows—Katherine Bradford at CANADA and Drawing for Sculpture at Tiger Strikes Astroid (Bushwick) I have good news: both run through February 15th. You’ve got time.

And that’s a good thing, because pretty much any serious art lover in the city needs to see CANADA’s Katherine Bradford show, “Fear of Waves”.

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