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Lynn Hershman Leeson

Remixing Intersectional Feminism At Pittsburgh’s Miller Gallery At Carnegie Mellon University

by Emily Colucci on February 15, 2017
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Even as feminism experiences a resurgence, there’s still a marked lack of representation of women of color and gender nonconforming individuals in both art and political activism. This disparity was recently debated on an international level with the criticism launched at the disproportionately white and cisgender Women’s March. A current show HACKING/MODDING/REMIXING As Feminist Protest at Pittsburgh’s Miller Gallery at Carnegie Mellon provides a direct rebuke of this continued inequality by emphasizing the power of intersectional feminism (feminism that embraces multiple, overlapping social identities beyond gender, including race, ethnicity, sexuality and class).

The exhibition leads by example by bringing together a group of twenty two artists who fracture and rearrange technology to create their own narratives within male-dominated fields like gaming, net developing and computing. Organized by artist and game developer Angela Washko, the show, in many ways, is an answer to the much-reported lack of women in tech industries (Washko cites a 2013 study in her introductory wall text, stating only 26% of the positions in computing jobs in the U.S. are held by women). But, with its smart and diverse curation, HACKING/MODDING/REMIXING As Feminist Protest goes further than exhibitions about feminism often go, taking on race and other identity issues. This makes the show not only politically relevant, but also necessary viewing during our current feminist revival.

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This Week’s Must-See Art Events: Propaganda for the Digital Age

by Paddy Johnson and Michael Anthony Farley on January 23, 2017
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Today and tomorrow New Yorkers will be saddled by this terrible Northeaster storm, but that shouldn’t stop you from attending Hannah Cole’s talk on artist taxes today or Judith Bernstein’s talk and book launch dubbed dicks of death tomorrow. They’re too important to miss. By Wednesday art lovers will be able to head to the Lodge for an opening of John Wellington’s dystopian history paintings, and on Thursday to the New York City Ballet to see electronic artist Dan Deacon’s “America” set to ballet. We’re particularly looking forward to seeing the ballet given Deacon’s connection to the blog. He’s a Baltimore resident and a long time muse for the blog.

By the time the weekend sets in, it’ll be all talks moderated by Art F City’s Paddy Johnson. On Saturday she’ll be discussing how the Nevada Test Site has influenced the paintings of Eric LoPresti with Eric LoPresti. Sunday, she’ll be discussing the evolving roll of storytelling in American culture with Jack Early and friends.

All of which is to say there’s plenty to see and do this week. So let’s not delay. Put these dates in your calendar and plan to compare notes later on!

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This Week’s Must See Events: A Week of Historicization

by Paddy Johnson on October 24, 2016
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Brace yourself: Pretty much every museum in the city has a major show launching, from The Met’s Kerry James Marshall show, to the Whitney’s Immersive Cinema survey, to the Rhizome and New Museum’s Net Art Anthology launch. We’re excited about EVERY. SINGLE. SHOW. Why? Because they are all historical shows in some way, attempting to chart a history of important art works and movements. This is important work.

Oddly enough, Historicizing seems to be a broader theme for the week in general—well, in at least one show. Saturday Elizabeth Dee will launch a mammoth show that attempts to look at the East Village scene of the 80’s and where those artists are now. This is a must-see exhibition, so between this, the museum shows, and everything else we have listed you’re going to be busy.

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The Best 25 Shows of 2015

by The AFC Staff on December 31, 2015
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2015 was great for art. For all the bitching that went on about art fairs, the dominance of the market, and sub-par museum shows (cough, cough Björk), I saw more great shows than I have in my ten years working as a critic in New York. Rather than try to whittle our picks down to a few select shows, we wrote up every show we thought was truly exemplary.

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