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martin creed

This Week’s Must-See Art Events: Future Bodies are Everywhere and Terrifying

by Paddy Johnson and Michael Anthony Farley on October 17, 2016
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There’s plenty of heady discourse this week—future bodies, hypothetical architectures, theories of curation and criticism—and of course plenty of election-related hand-wringing.

Kick it off Monday night at Jersey City’s Word Bookstore, where the Brooklyn Institute of Social Research is inaugurating a lecture series about cyborgs. Or head to Manhattan’s Red Bull Studios for an event celebrating Grand Arts, the Kansas City project space that launched dozens of conceptual art projects and, now, a catalogue. Tuesday night, Paddy Johnson joins other art critics to talk shop at the Brooklyn Public Library’s Dweck Cultural Center, and Tyler Coburn talks genetic engineering and body mods as the future of humanity at e-flux. If you’re looking for something more hands-on (or a chance to move your feet), there’s a survey of handmade prints at Site:Brooklyn and an epic-looking disco fundraiser for El Museo del Bario Wednesday night. Thursday, White Box is opening a jam-packed group show (with some impressive names!) all about political angst. Friday we’ve got a talk from Maura Riley at Stony Brook Manhattan and Underdonk opening a class-conscious solo show by Patrice Renee Washington.

But the weekend brings us back to what we like the most: artwork that investigates the weird. Selena Gallery’s two person show from Dalia Amara and Florencia Escudero looks for uncanny surrogate female bodies in consumer goods on Saturday night. Sunday, Sascha Braunig’s work at MoMA will likely strike a similar chord. And MARC STRAUS opens a solo show by Chris Joneswho builds fantastical dioramas (pictured) from mundane images.

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There’s So Much Giant Single-Word Public Artwork in New York City

by Michael Anthony Farley on April 20, 2016
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Next month, Public Art Fund is installing a giant text piece by Martin Creed in Brooklyn Bridge Park. This will be one of three text-based sculptures in the area when it opens. What is up with New York’s love of big, single words?

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Thank Goodness for Martin Creed’s Work “No. 1020” at the Kitchen

by Corinna Kirsch on December 17, 2013
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A great performance from over the weekend.

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Highlights from Art Basel Miami Beach

by Paddy Johnson Corinna Kirsch and Will Brand on December 6, 2012
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Art Basel Miami Beach is not fun, but sometimes, through the fluorescent lighting, puzzle-piece layout, and brazen privilege, you see some art you like. This is not a typical sentiment at an art fair, populated as they are with the type of work only a catnipped cat would love. However, this year we—and a few others—noticed something a little fishy: for an art fair, the work was in surprisingly good taste.

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