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Max Razdow

SPRING/BREAK Art Show Brings a Focus on the Personal

by David Matorin on March 7, 2014
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Even by itself, the Armory Show is overwhelming. With the Armory Show’s booths extending to the vanishing point in both directions of Pier 94, it can leave an unsettling impression of endlessness, where everything starts to look the same. And amidst the vastness of this week’s equally-momentous art events (a three-part Whitney Biennial, and the Armory’s satellites), this weekend could use a break of something more human in scale.

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This Week’s Art Events

by Whitney Kimball on January 14, 2013
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This week, we’ll be attending an underground animation screening, a ton of international exhibitions, and the re-re-reopening of the Seaport Museum.

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Recommended Bushwick Open Studio: Max Razdow

by Paddy Johnson and Whitney Kimball on May 31, 2012
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Gatherings of expressionistic figures communing in mythical settings define Max Razdow’s paintings and drawings. While some of his pen and ink drawings verge on storybook as in the “Future Myths” series, others are weirder, and more open to interpretation. “Man Speaking (to computer),” is one such a example, as we have no idea how to interprete a barrel-chested figure shooting blue mist out of his mouth into a black triangle. In addition to having exhibited multiple times in Belgium and Brooklyn, Max Razdow shows with Freight + Volume.

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