Patrick Riester as Peter Bishton in the film Computer Chess, shown in the 2014 Whitney Biennial. Credit: Kino Lorber
- Paddy Johnson uses her platform on artnet to make a call for net art at the Biennial. The headline tells it all: Why is our era’s greatest art movement missing from the Whitney Biennial? [artnet news]
- The Guggenheim does not give up. Two years ago, Helsinki officials voted down the museum’s plan to build yet another silver crumple, this time along the Finnish waterfront. But the Gug is still trying—now they’re looking to hire a project coordinator based in New York to help their plans lift off. [NYFA]
- Biennials are everywhere, nearly everyone has one. Now all it takes is £100 to join a club for people who run biennials, the International Biennial Association. [e-flux]
- MIT has the world’s largest collection of holograms. [MIT]
- Megumi Sasaki, the filmmaker behind the Dorothy & Herb documentary, is now the host of Art Time Traveller, a show discussing Japanese art throughout the centuries. The english version airs once a month online. [NHK]
- Artist Esther C. Werdiger discusses why she thinks her cartoons were rejected by the New Yorker. [The Awl]
- This Kickstarter campaign offers bronze, silver, and gold dicks to women who want to “bring their dicks to the table.” [Kickstarter]
- Wu-Tang is releasing one album and the only way you can listen to it is at museums. [Forbes]
- Load this website, turn up your speakers, and start typing. [Patatap]
