Posts tagged as:

Michael Anthony Farley

The Miami Art Fairs: Final Thoughts and Reflections

by Paddy Johnson on December 6, 2016
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A few stray observations now that the fairs are over.

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Art F City’s Strange Genitals Opens Next Thursday at AICAD Seminar Gallery

by The AFC Staff on October 26, 2016
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Announcing the AFC curated show our readers could have predicted.

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Geographically Indeterminate Fantasies: The Animated GIF as Place

by The AFC Staff on April 11, 2016
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Providence College—Galleries Launches Inaugural Online Exhibition
Geographically Indeterminate Fantasies: The Animated GIF as Place
Curated by Art F City critics Paddy Johnson, Michael Anthony Farley & Rea McNamara.

VIEW THE EXHIBITION: pcgalleries.providence.edu/GIF

As those subscribed to our mailing list will already know, today Providence College—Galleries launched its inaugural online exhibition “Geographically Indeterminate Fantasies: The Animated GIF as Place”. Curated by the Art F City team. Michael Anthony Farley, Paddy Johnson, and Rea McNarama, the show is the result of six months worth of planning, development and careful consideration. We are extremely proud of it.

Given that the press release has already gone out, we’re using the blog as the publishing platform for our curatorial essay. We hope it will give viewers a window into the sense of wonder we often have looking at these works.

Artists include: Peter Burr, Petra Cortright, Milton Melvin Croissant III, Elektra KB, Claire L Evans, Faith Holland, Dina Kelberman, Kidmograph (Gustavo Torres), Sara Ludy, Lauren Pelc-McArthur, Alex McLeod, Ying Miao, Jonathan Monaghan, Hugo Moreno, Brenna Murphy, Eva Papamargariti, Robby Rackleff, Sam Rolfes, Nicolas Sassoon, Jacolby Satterwhite,  Hito Steyerl, Tough Guy Mountain, Małgosia Woźnica (V5MT), Wickerham & Lomax, Clement Valla and Giselle Zatonyl.

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Great Strides Made Yet Still Needed at Pulse

by Paddy Johnson on December 5, 2015
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How do you infuse life into a zombie art fair? Ask Pulse Director Helen Toomer. She’s been in the unenviable position of having to clean up years of poor leadership at Pulse, and has miraculously achieved some success during her two-year tenure. The fair’s put together PERSPECTIVES, an impressive discussion series put together in partnership with Hyperallergic and has slowly but slowly pushing some of the long time, weaker exhibitors out of the fair. Meanwhile, Pulse has succeeded in bringing strong exhibitors into the fold like Monya Rowe, Yancey Richardson and Transfer. Great strides have been made.

But let’s be clear: the fair still has a lot of work to do.

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SLIDESHOW: UNTITLED’s Strongest Showing Yet

by Paddy Johnson on December 4, 2015
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UNTITLED. organizers should be giving themselves a big pat on the back. Now its fourth year, the fair is clearly its strongest iteration yet. Part of this is just natural maturing of exhibitors over the course of the last few years—Asya Geisberg, SITE LAB, and Microscope are just three examples of programs that have consistently improved. But the fair’s also done a good job picking up strong new exhibitors, perhaps most notably this year, the Hole and Postmasters.

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What’s the Use of an Art Critic in a City on Fire?

by Michael Anthony Farley on April 28, 2015
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For the past twenty-four hours or so, I’ve been struggling to write about the situation here in Baltimore. I’ve tried doing my job—reviewing art shows—but even attempting to view politically informed projects in Baltimore through the lens of recent events felt strangely inappropriate. Like many bewildered Baltimoreans, any coherent thoughts I’ve attempted to compile have been quickly drowned out and scattered by the sounds of sirens and countless low-flying helicopters.

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