The term echo chamber has been thrown around since Trump’s election. When applied by conservatives, it’s used mostly as an attempt to dismiss the alleged close-minded perspective of “coastal elites,” a critique with few merits, even if sometimes true.
The limitations of this critique are especially visible in Jim Torok’s current solo exhibition The New Age of Uncertainty at Pierogi.The work articulates progressive panic and anxiety due to our current political atmosphere through a series of text-based paintings and portraits. In many ways, the exhibition simply reflects back the liberal perspectives those in the New York art community already see daily on social media. This approach has some obvious weaknesses, namely preventing the show from landing a far-reaching political critique. Instead, the exhibition succeeds more as a portrait of a specific ideology and frantic psychological state.