What is it like for a woman artist to self-expose? A roundtable at New York University’s Performance Studies Department last week gave some insider insight into the bravery and vulnerability that explicit feminist performance art requires.
Moderated by Performance Studies Professor Barbara Browning, Baring It: Self-Exposure In Feminist Performance brought together two performance artists of different generations–outspoken stalwart Karen Finley and mannequin-masked Narcissister. The panel was organized in conjunction with the Grey Art Gallery’s exhibition A Feast of Astonishments: Charlotte Moorman and the Avant-Garde, 1960s-1980s. No stranger to public nudity herself, Moorman acted as a historical foremother for the two performers as they delved into their own use of the body.