When art mingles with tech, there can be a rush to mass-market artsy/techy products; in the early days of new tech, those products can sound terribly goofy, and they often aim at self-improvement. Take, for example, from 1969, artist Thomas Tadlock’s “Archetron,” a color synthesizer that turned black-and-white signals on a TV into colorful psychedelic imagery. It ended up being sold as a “prophecy, meditation, and healing machine” at a new age center in New York. That product never really caught on; and we tend to remember Tadlock more for his art contribution than a commercial one.
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