Posts tagged as:

Nicole Eisenman

We Went to Frieze, Part Two: Pussy Hat Show Flops, Anti-War Hard On Holds Up

by Paddy Johnson and Michael Anthony Farley on May 5, 2017
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Yesterday we discussed the overall look and feel of Frieze and concluded that this iteration of the fair is far superior to previous years. Lots of lively inventive work and short on the kind of soulless work in a frame that can make these events so tedious. Today we take a deep dive into a lot of the art we saw. Let’s get down to the nitty gritty.

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This Week’s Must-See Art Events: Rejoice! Our Times Are Intolerable and Nasty Women Are Front-and-Center

by Michael Anthony Farley on January 9, 2017
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New York’s week is characterized by two dominant themes: revisiting art history, and women owning “nastiness”. Monday, NYU’s Grey Art Gallery is launching Inventing Downtown, an ambitious look at how artist-run spaces informed the city’s radical aesthetics decades ago. Tuesday, Kate Hush illuminates archetypal feminine deception and betrayal at Cooler Gallery. She’ll be joined by legions of Nasty Women starting Thursday, when the Knockdown Center kicks-off a four-day fundraiser for Planned Parenthood featuring art, dance parties, and more. Alden Projects has a timely survey of Jenny Holzer’s early poster work that opens Friday, and White Columns is opening it’s 11th Annual, Looking Back. That’s but a sampling of the art history-mining going on this week. Stay nasty, New York, and remember that you always have been.

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Girl Power Is Back: Top 10 Shows For Women In 2016

by Emily Colucci on December 21, 2016
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Despite the misogynistic horror of Donald Trump’s campaign and eventual election victory, 2016 was a great year for women in the art. There were compelling solo exhibitions by women artists in major institutions, a copious list of all-women group shows and dynamic revivals of unfairly overlooked female artists’ careers. It seems like 2016 marked the return of much-needed 1990’s-style “girl power.”

Granted, there’s still a long way to go for equal representation, particularly for women artists of color. But, hopefully, this is just the beginning. To celebrate this year’s exciting and timely return to feminism, I selected the ten best shows featuring women in 2016. Results below:

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Beyond Chelsea And The Lower East Side: The West Village Gallery Round-Up Part 2

by Emily Colucci on September 23, 2016
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Continuing my exploration of the West Village galleries’ September shows, I ventured above Houston Street to Maccarone and White Columns.

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This Week’s Must-See Events: Let’s See Frieze Best the 70-foot Bee Magnet

by Paddy Johnson on May 2, 2016
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This is not the week to let your inner researcher go crazy. It’s Frieze week, which means there’s a mountain of events, all of which will seem essential to visit. After spending the day combing through all the talks, the openings, and the fairs we have a little secret we can let you in on. Very little of what we’ve read about constitutes a “must-see” for the average artist. We’ve gone through and selected what we think is actually relevant to artists. That means there are no galas, no co-branding kick-off parties, and no invitation-only events we can’t attend anyway. What we do recommend is Meg Webster’s 70-foot bee magnet at Socrates Sculpture Center, a round table discussion on why artist-run galleries are the bomb, and a Chucky-like doll by Jordan Wolfson we’re pretty sure will scare the crap out of you. Brace yourself.

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NSFW GIF of the Hump Day: Down the Rabbit Hole that is Test Press

by Michael Anthony Farley on September 30, 2015

hump-dayToday, I tried to find a GIF to congratulate Nicole Eisenman on her Macarthur Genius Grant win.  I was hoping someone out there had animated some of her raunchier queer-tastic work into a splendid loop of twitching, painterly genitalia.

Instead, when I put the “animated” filter on Google Image search and typed in “Nicole Eisenman”, I ended up going down an almost totally unrelated rabbit hole of the art-blog/sex toy industrial complex.

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The Ten Best Exhibitions of 2014

by Paddy Johnson on December 31, 2014
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With this job, you don’t always have a chance to write up all the exhibitions you saw and loved, so for me, the 2014 year-end review is a Godsend. It gives me a chance to give a shout out to everything I saw and loved. And this year, there was an awful lot of it. May 2015 be this bountiful and more.

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