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Parrish Art Museum

This Week’s Must-See Art Events: Summer Campy

by Michael Anthony Farley on August 8, 2016
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Has the art world been getting lonely in a slow summer defined by gallerists and museums phoning it in from the beach? That might explain why so many art people seem to be planning something fun and social this week, from a Monday night campy screening of a Paul Morrissey film starring Warhol Superstars to open studios across Brooklyn. Wednesday, both BRIC and American Medium are hosting events for artists to relax and mingle, and out by the Hamptons, the Parrish Art Museum is throwing a Grey Gardens costume contest on Thursday. If you can’t make that trek, pass the time in Yiyang Cao’s debut New York exhibition. Friday, head to Bushwick for a night of openings at Tiger Strikes Asteroid and Underonk, both of which promise to be pretty fun. Saturday night, catch up on the latest episodes of fake reality TV show “Sad Girls Club” (trailer above) at the Anthology Film Archives, which is pretty much a party in and of itself. Finally, Sunday marks the last chance to score a smiley face portrait from Nobutaka Aozaki in Corona, followed by more open studios, DJs, and more at Red Hook’s Pioneer Works.

This might not be the best week for delving into heady art in Chelsea or museums, but it’s sure a good time to embrace campiness and fun, even in the stuffiest reaches of Long Island.

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This Week’s Must-See Art Events: Old School Survival

by Paddy Johnson and Rea McNamara on June 6, 2016
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Urban survival, whether it’s the cost of living in New York or even riding along Sag Habour in a self-sustaining houseboat, looms largely in this week’s events. Tonight’s lecture at the Morbid Anatomy Museum suggests that this dates back to Weimar Berlin’s era of anarchy and decadence, where fake fakirs — religious ascetics who live solely on alms — got by with their gnarly nails and pins piercing. Flash forward to Saturday’s MoMA opening of Nan Goldin’s famous 1986 visual diary “The Ballad of Sexual Dependency”, and those piercings became the battle scars of surviving the East Village’s punk bohemia. Today, we’re thankfully more practical in eking out our incomes: we look to the sun and its instruments (see this Thursday’s opening of the “Heliotropes” group show at Geary Contemporary) or envision terrible futures in our analogue pasts (“that old school dystopia” at Theodore:Art on Friday). But sustainability, if we quickly cut to the chase, really involves supporting each other, which is why this weekend’s workshops around the nuts and bolts of artist finances or even writing and editing an artist statement will get you ahead. No need for any physical scars.

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