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Patrice Renee Washington

This Week’s Must-See Art Events: Virtual Reality Exhibitions and Cyberdefense Workshops

by Michael Anthony Farley on July 17, 2017

Well, this week starts off strong.
Monday we’re looking forward to checking out the new VR World NYC, which is hosting a virtual reality art show and concert until midnight. If that hasn’t sated your cyberpunk hunger, check out Lin Wang’s cyborg wigs tuesday at Gallery Sensei, the NYFA/NYSCA group show Facial Profiling at C24 Gallery on Thursday, or the “Digital Self Defense and Empowerment Workshops” happening all Saturday afternoon at the New Museum. We love when a week’s itinerary in IRL New York looks like a montage from Hackers

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This Week’s Must-See Art Events: Future Bodies are Everywhere and Scary

by Paddy Johnson and Michael Anthony Farley on October 17, 2016
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There’s plenty of heady discourse this week—future bodies, hypothetical architectures, theories of curation and criticism—and of course plenty of election-related hand-wringing.

Kick it off Monday night at Jersey City’s Word Bookstore, where the Brooklyn Institute of Social Research is inaugurating a lecture series about cyborgs. Or head to Manhattan’s Red Bull Studios for an event celebrating Grand Arts, the Kansas City project space that launched dozens of conceptual art projects and, now, a catalogue. Tuesday night, Paddy Johnson joins other art critics to talk shop at the Brooklyn Public Library’s Dweck Cultural Center, and Tyler Coburn talks genetic engineering and body mods as the future of humanity at e-flux. If you’re looking for something more hands-on (or a chance to move your feet), there’s a survey of handmade prints at Site:Brooklyn and an epic-looking disco fundraiser for El Museo del Bario Wednesday night. Thursday, White Box is opening a jam-packed group show (with some impressive names!) all about political angst. Friday we’ve got a talk from Maura Riley at Stony Brook Manhattan and Underdonk opening a class-conscious solo show by Patrice Renee Washington.

But the weekend brings us back to what we like the most: artwork that investigates the weird. Selena Gallery’s two person show from Dalia Amara and Florencia Escudero looks for uncanny surrogate female bodies in consumer goods on Saturday night. Sunday, Sascha Braunig’s work at MoMA will likely strike a similar chord. And MARC STRAUS opens a solo show by Chris Joneswho builds fantastical dioramas (pictured) from mundane images.

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