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Patricia Cronin

Highlights From the Armory

by Molly Rhinestones on March 4, 2017
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The Armory Show opened this week, creating a theme park for art collectors and lovers from across the globe. Over 200 galleries and site specific installations are on view at Pier 92 and 94 on the Hudson River. This year features a welcome overhaul of the fair’s floor plan, spearheaded by the new director, Benjamin Genocchio. The delineation of a “Modern” section, usually on view at Pier 92, has been phased out, relocating 17 dealers from the “Galleries” section and the “Focus” artists upstairs. In past iterations of the fair it seemed highlights were positioned in high traffic areas near the entrance and by the time the fair fatigue hit you found yourself stuck at a dead end inside labyrinth of the dullest booths. The new design features wider aisles and better traffic management, making for a vastly more pleasant experience. This year’s a hit folks—at least in terms of visitor experience.

In particular, the Armory’s special “Focus” section, curated by Jarret Gregory, stood out. The section culled 10 artists from around the world together to examine a question taken from 19th Century Russian Socialist Writer Nikolai “Chernyshevsky, “What Is To Be Done?” (a breath of fresh air when at times the theme of the fair seems to be “How Many Yayoi Kusama and Marina Abramovic Works Can We Fit Into This Pier.”).

My highlights and commentary below.

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This Week’s Must-See Art Events: Future Bodies are Everywhere and Scary

by Paddy Johnson and Michael Anthony Farley on October 17, 2016
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There’s plenty of heady discourse this week—future bodies, hypothetical architectures, theories of curation and criticism—and of course plenty of election-related hand-wringing.

Kick it off Monday night at Jersey City’s Word Bookstore, where the Brooklyn Institute of Social Research is inaugurating a lecture series about cyborgs. Or head to Manhattan’s Red Bull Studios for an event celebrating Grand Arts, the Kansas City project space that launched dozens of conceptual art projects and, now, a catalogue. Tuesday night, Paddy Johnson joins other art critics to talk shop at the Brooklyn Public Library’s Dweck Cultural Center, and Tyler Coburn talks genetic engineering and body mods as the future of humanity at e-flux. If you’re looking for something more hands-on (or a chance to move your feet), there’s a survey of handmade prints at Site:Brooklyn and an epic-looking disco fundraiser for El Museo del Bario Wednesday night. Thursday, White Box is opening a jam-packed group show (with some impressive names!) all about political angst. Friday we’ve got a talk from Maura Riley at Stony Brook Manhattan and Underdonk opening a class-conscious solo show by Patrice Renee Washington.

But the weekend brings us back to what we like the most: artwork that investigates the weird. Selena Gallery’s two person show from Dalia Amara and Florencia Escudero looks for uncanny surrogate female bodies in consumer goods on Saturday night. Sunday, Sascha Braunig’s work at MoMA will likely strike a similar chord. And MARC STRAUS opens a solo show by Chris Joneswho builds fantastical dioramas (pictured) from mundane images.

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