by Paddy Johnson Michael Anthony Farley Rea McNamara on March 1, 2016
- Today’s the press preview for the Met Breuer, but don’t worry about missing out — the Met’s tweeting from the preview. [Twitter]
- OK, why didn’t we get the invite to Jeremy Deller’s life drawing class at the New York Academy of Arts last week? Iggy Pop was the model. Anyways, it’s for Deller’s upcoming show at the Brooklyn Museum, and it was invite-only. [The Guardian]
- Gabrielle Moser weighs in on the “Showroom” group show at the Art Museum at the University of Toronto, and what it gets wrong about the Toronto arts scene: “there are condo ads on the subway that demonstrate greater diversity than this exhibition.” Of the 48 artists in this institutional survey, seven are POC artists. I would add that the curatorial focus was flimsy — how could it not be with so many artists? — and almost conflates the institution’s recent merging of its two galleries as one institution with the city’s recent urban “revitalization” history. Like Moser said, the show’s title could have been “Toronto Artists Want Things to Look Nice.” [Canadian Art]
- How can digital art improve the IRL? Rianna Jade Parker asks five producers in the realm — including artist Tabita Rezaire and POWRPLNT founder Angelina Dreem — to weigh in. [FADER]
- 300 pounds of marijuana, worth one million, was discovered by NYPD in a crate labelled “art”. [artnet News]
- Garry Neill Kennedy reflects on his time as president of the Nova Scotia College of and Design — subject of a recent major survey at the Art Gallery of Nova Scotia — and the role NSCAD play in the rise of Conceptual Art. [Artforum]
- “[I realized] I can’t tell your story, I can only tell mine. I can’t be you, I can only be me.” Insightful interview with painter Faith Ringgold, and her 70-year career in art and activism. It’s a shame her quilts haven’t been taken seriously by institutions though — despite owning her masterpiece, Tar Beach, since it was made in 1988, the Guggenheim has never shown the work in New York. [ARTnews]
- HG Masters remembers Kikuo Saito, the Japanese artist known for his abstract color field paintings and wordless plays. He was a former assistant of Noland and Frankenthaler, worked with Jerome Robbins and Robert Wilson — who offers a tributary poem in the obituary — and taught at the Art League up until his death. [ArtAsiaPacific]
- John Hofsess, director of the trippy late-’60s Canadian underground classic Palace of Pleasure, has died. Hofsess, however, eventually became a Right to Die advocate, and posthumously revealed the secret assisted suicide service he offered to eight Canadians, including poet Al Purdy. [Toronto Life]
- Jan Vermeer’s paintings are now available for high res download. [Open Culture]
- Crowdfunding Art Project of the Day: The Queer Japan Project, a documentary about the country’s LGBTQ2S artists and activists. [Kickstarter]
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