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Real Estate Gallery

Irena Jurek Interviews Billy Grant: One-Time Pyromaniac, Now Artist with a Drill

by Irena Jurek on December 20, 2017
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Billy Grant’s art practice is expansive. He works in virtually every medium from painting, drawing and collage to sculpture, video, and performance. He collaborates constantly—his best known collaborative effort with the Virginia based art collective Dearraindrop which ran from 2001 to 2009. (Grant was one of three members of the group that included his sister Laura Grant and their friend Joe Grillo, and had originally been part of the collective Paperrad, in Boston.) In short, he is a force.

And that force was on full display earlier this year when he displayed a new body of paintings, in his two-person show with the sculptor and installation artist, Rich Porter at Safe Gallery. Grant brought his characteristic exuberance and obsessive attention to detail in a series of maximalist monochromes, which are created by attaching a paintbrush to the end of a drill. And we’ll experience it again January 19th, when his work is again on view, this time at Real Estate Gallery in a group show curated by Joe Bradley and Jeremy Willis.

This past week, I had a chance to sit down with Billy and discuss his childhood as an arsonist, how Dearraindrop evolved into a collective, his dedication to bizarre and unusual ways to make paintings, and why he’ll never be an abstractionist. I got right to it.

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An Interview With Painter Alicia Gibson

by Irena Jurek on June 2, 2017
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Alicia Gibson’s paintings are messy in the best sense of the word. Aesthetically, their sloppy paint, muddy colors and worked over surfaces look as if Gibson deposited all her thoughts on a given subject one canvas. Emotionally, they pack the same unvarnished punch. Her paintings overflow with acerbic humor, saccharine sweetness, and an aggressive punk rock ethos that’s impossible to forget.

Now, as the inaugural show at Real Estate Gallery, a new gallery in Greenpoint, started by Lisa Cooley, Jeremy Willis, and Kenan Gunduz, this work is on view.

I sat down with Gibson and discussed her involvement in the feminist girl gang “Ladies in Heels”, the necessity for faux history in her art, and why “Jeff Koons Sucks”.

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