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Rebecca Goyette

This Week’s Must-See Art Events: Patriarchy-Smashing in Full Force

by Michael Anthony Farley on March 7, 2017
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So far, 2017 might be one of the shittiest years in recent decades for the women of America, but New York’s art world is making sure this will be a Women’s History Month to remember. On Thursday, the New Museum is even hosting a talk on Feminist topics we haven’t even heard of: A.K. Burns will be leading a discussion on “Quantum Feminism”. That same night, Van DebEd is hosting Women’s History Month Invitational in Long Island City.

Kick the weekend off playing artist-designed Feminist games at Bushwick’s SOHO20 Gallery Friday night. Saturday, Laurie Simmons and Carroll Dunham will discuss feminist icon Marilyn Minter’s show at the Brooklyn Museum. After a week of edifying female-empowering events, head to Interference Archive’s Sunday afternoon Art+Feminism Wikipedia Edit-a-thon to make sure it all goes down in herstory.

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Girl Power Is Back: Top 10 Shows For Women In 2016

by Emily Colucci on December 21, 2016
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Despite the misogynistic horror of Donald Trump’s campaign and eventual election victory, 2016 was a great year for women in the art. There were compelling solo exhibitions by women artists in major institutions, a copious list of all-women group shows and dynamic revivals of unfairly overlooked female artists’ careers. It seems like 2016 marked the return of much-needed 1990’s-style “girl power.”

Granted, there’s still a long way to go for equal representation, particularly for women artists of color. But, hopefully, this is just the beginning. To celebrate this year’s exciting and timely return to feminism, I selected the ten best shows featuring women in 2016. Results below:

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Is 2016 the new 1994? Feminism in the Art World

by Emily Colucci on May 26, 2016
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Is recent art history repeating itself? An increasingly long roster of new all-women group exhibitions and their corresponding press seem to suggest so. From blue-chip stalwarts Hauser Wirth & Schimmel and Saatchi to smaller project and artist-run spaces to last night’s Marc Straus opening If Only Bella Abzug Were Here, are all-female group shows an indication of a permanent commitment to gender equality in the art world or is it just another doomed-to-disappear trend?

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