by Michael Anthony Farley on March 13, 2017
The week is of course dominated by two news items: The Whitney Biennial and The Wintery Downfall.
After the blizzard, Wednesday is a great opportunity to get yourself in the snowy mood, art-wise. Enjoy doses of culture from freezing, windswept regions, including Marsden Hartley’s Maine at The Met Breuer (if you’re missing the Whitney’s old digs) and Berlin-based Danish/Norwegian duo Elmgreen & Dragset in conversation with Dan Cameron at The Flag Art Foundation. Later, catch the Icelandic thriller Hevn at Scandinavia House’s New Nordic Cinema screening series.
Other highlights include Fort Gansevoort’s female-perspective sports show March Madness Thursday night and TRANSFER’s four year birthday party, which will feature affordable editions from some of our favorite digital artists.
Oh yeah, and make time to check out the Biennial. I’m told it’s good, but “traumatic”. An appropriately bleak show to match our physical and political climate?
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by Michael Anthony Farley on October 10, 2016
Finally, a week in New York City where there’s at least one totally worthwhile, low-key art event every night without too many #FOMO -inducing major scheduling conflicts. We’ve picked out the best of the best, including such different activities as a pop-up opening party at Babycastles with a Kawaii nail art bar on Monday night and an artist talk from painter Keltie Ferris at the New York Studio School on Tuesday.
Wednesday, check out Lauren Marsolier’s suburban surrealestate at Galerie Richard, and Thursday night head to the West SoHo zone for solo shows from Sam McKinniss and Philip Vanderhyden at Team Gallery and Mumbo’s Outfit, respectively. Friday gets a little more hectic, with an exhibition of the late, great Tetsumi Kudo’s work at Andrea Rosen, an architectural “performance” from Gabrielle Mertz at the LES’s former PS160, and a group show about intimacy and craft at 315 Gallery in Brooklyn.
Saturday, two group shows open in a former Pfizer plant on Flushing Ave (where we expect artists to take full advantage of the post-industrial setting) and Sunday Pierogi has a solo show of drawings by John O’Connor. What a good week, and just think—you’ll have bomb nails for all of it.
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