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Roy Lichtenstein

Monday Links: Jimmy Van Bramer, Protector of the Realm

by The AFC Staff on March 30, 2015
JVB Jimmy Van Bramer

Image courtesy of Jimmy Van Bramer

  • Jimmy Van Bramer, one of New York City’s most active council members, is due to submit a bill that will allow for community feedback on public art commissions. Van Bramer envisions town-hall-style meetings early on in the design process—this is necessary. Re: Public outcry against the Jeff Koons statue in California and here, in Long Island City, Ohad Meromi’s pink-man sculpture.  [New York Times]
  • In Bangladesh, a blogger was knifed to death on a busy street in Dhaka. According to local sources, he had been targeted before because of “anti-Islamic writing.” This incident marks the second writer-related killing in Bangladesh this month. [BBC News]
  • “To brutally summarize a lot of scholarly texts: contemporary art is made possible by neoliberal capital plus the internet, biennials, art fairs, parallel pop-up histories, growing income inequality. Let’s add asymmetric warfare—as one of the reasons for the vast redistribution of wealth—real estate speculation, tax evasion, money laundering, and deregulated financial markets to this list.” [e-flux Journal]
  • Either selfies are evil, or people are. Over the weekend, Instagram was filled with people smiling for selfies against the backdrop of the East Village fire. [New York Post]
  • In related news, both Coachella and Lollapalooza are banning selfie sticks this year. (Coachella reps calls them “narcissistics,” lol.) [Stereogum]
  • Best read of the week, and possibly the month: “The Rise of the Cryptopticon.” Siva Vaidhyanathan, a media studies and law professor at the University of Virginia, tracks the legal history of privacy and surveillance in the United States, from the 20th century to our digital age. [The Hedgehog Review via Alexis Madrigal]
  • Finally! Macaroni salad and plain Jello are cool again. Drop that kale and get yourself to a Denny’s because normcore food is a thing now. Supposedly. [The Awl]
  • Yep, art by famous artists = still really expensive. Roy Lichtenstein’s “The Ring (Engagement)” is expected to fetch around $50 million at auction at the Sotheby’s Contemporary Art Evening Sale on May 12. [Huffington Post]
  • You too can get laid like a Lannister. British sex toy company Bondera released their “Game of Bones” product line, a Game of Thrones-themed lineup of dildos and bondage gear for sci-fi/fantasy and cheesy innuendo lovers everywhere. God, their copywriters are so lucky. [Flavorwire via Mashable]
  • Chicago jack-of-all-art-trades Shannon Stratton named the new chief curator of the Museum of Arts and Design. You’re welcome, New York. [The Observer]
  • Meet Jon Stewart’s replacement, South-African comedian and guy who seems way young—but hey, we’re rooting for you—Trevor Noah. [New York Daily News]
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This Week’s Must-See Art Events: No Excuse to Miss the Creative Time Summit

by Whitney Kimball on November 10, 2014
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This week provides us with a couple good reasons to go to Bushwick, a couple good reasons to consider fucking (if needed), and no excuses to miss this weekend’s Creative Time Summit (it’s livestreaming). We’ll also be attending a seminar on erasing bad memories and a film on 1970s gentrification. It’s a strange week.

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Secrets of the Whitney Biennial: 1979

by Corinna Kirsch on February 28, 2014
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First bit of trivia: Art was for sale at the 1979 Whitney Biennial.

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Hair GIFs Cinemagraphs Are Making Headlines Again

by Paddy Johnson on April 27, 2011
Thumbnail image for Hair <s>GIFs</s> Cinemagraphs Are Making Headlines Again

Bad ideas never die. Following The Atlantic’s profile on Jamie Beck’s incredible single-handed transformation of GIFs into “a respected art form” (pretty girl’s hair + wind = art), the Daily Mail has found other hair models to feature. Dubbed “cinemagraphs”, writer Daniel Bates (who, notably, is not an art writer – the Mail doesn’t have those) says these new GIFs “take ‘stills’ to the next level”. As I mentioned the other day, the underlying assumption here is that photography needs to be legitimated by cinema, as do GIFs.

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