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Sigmar Polke

The Art F City Miami Fair Guide: You Can’t Do It All

by Rea McNamara on December 1, 2015
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It’s raining plastic raindrops. Yes, Miami Art Week is upon us, and you’ve already gotten our take on what’s worth checking out outside the satellites. Traffic is promising to be a real shit show with the Venetian Causeway being closed, a favoured route to the Beach. Even though the city has a free, Basel express bus, getting around will be even more of a hassle. So more than ever, plan ahead, and rely on our curated fair guide. We’re doubtful you’ll be able to do it all, but that’s always the case anyways with Miami—at least you try to do it all. Gold star for effort.

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This Week’s Must-See Art Events: Good Reasons To Put Pants On

by Whitney Kimball on January 12, 2015
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For those of us who didn’t get out much last year, we get to head to the White Columns Annual for the last round-up of everything we should’ve seen. Also in significant artworks from 2014: Godard’s 3D film “Goodbye to Language” is screening at BAM. Do not miss out. You can not pirate this on the Internet.
These, and more art events worth braving the cold.

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This Week’s Must See Events: A Room Full of Petroleum Gel

by Paddy Johnson and Whitney Kimball on April 14, 2014
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Thank god we’re (mostly) giving ourselves a break from political coverage this week with an art bingefest: art which is concerned primarily with cat food art, food’lberities, a room full of petroleum gel, and dicks. Back to the good ol’ classic dick blogging.

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This Week’s Must-See Art Events: Art Gets Back to Business

by Corinna Kirsch and Whitney Kimball on January 6, 2014
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After weeks without, art openings return.

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Proofs and Refutations at David Zwirner

by Will Brand on April 18, 2011
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Proofs and Refutations Date: FRIDAY, MARCH 11TH 2011 – TUESDAY, APRIL 26TH 2011 Venue: David Zwirner, 525 West 19th Street AFC’s Rating: 7/10 (Will Brand) “Proofs and Refutations”, co-curated by a Mathematics professor at City College, might be the smartest show of the year so far. It’s a diverse body of work we’ve rarely seen before and almost never seen […]

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