This week, we get two critics’ opinions on MoMA’s latest painting show, “Inventing Abstraction: 1910-1925″. Is it a “splendid historical survey” (Schjeldahl) or “history written by the winners” (Saltz)?
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Posts tagged as:
Paddy Johnson, Editorial DirectorWhitney Kimball, Senior EditorCorinna Kirsch, Senior EditorRhett Jones, Development Officer
