Online art exhibition The Wrong Biennale’s second iteration has been live for over a week now. Much like the internet itself, The Wrong is huge and unwieldy and generated by so many authors that it’s thematically and qualitatively inconsistent beyond recapitulation or even judgement, really. That being said, The Wrong’s greatest utility might be its capacity to lay bare all the strengths, challenges, and glorious failures of displaying and viewing digital art online.
