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Susan Inglett Gallery

You Want It Darker: Robyn O’Neil’s “The Good Herd” At Susan Inglett Gallery

by Emily Colucci on February 23, 2017
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Is any art that depicts a vivid sense of doom and gloom immediately relevant in 2017? Yes, if Robyn O’Neil’s current solo exhibition The Good Herd is any indication.

Previously, the Los Angeles-based artist’s dark surrealism felt like an anachronism. Her drawings in exhibitions like 2011’s Hell were, at once, a throwback to Odilon Redon’s trippy drawings and Edward Gorey’s Goth wit. This didn’t exactly click during the comparative calm of the Obama years. But now, with the daily hellish roller coaster of Trump’s administration, O’Neil’s anonymous figures and ominous symbolism have become strikingly timely, addressing the isolation many feel from their fellow Americans who voted an orange demagogue into office.

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This Week’s Must See Art Events: The Creative Time Summit and a Painting Fiesta

by Paddy Johnson and Whitney Kimball on October 21, 2013
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Creative Time’s Summit returns, along with an explosion of painters on the rise. The dearth of exhibitions by black and female artists continues.

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This Week’s Must-See Art Events: Mega-Openings, Round Two

by Whitney Kimball Corinna Kirsch and Gabriela Vainsencher on September 9, 2013
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Time for round two of massive openings. After over a year, CANADA Gallery finally reopens in its new Broome street space, right across from P!. On Thursday night, Chelsea opens. On Friday night, something’s going down at the Redhook galleries, but we’re not sure what. And tomorrow, we hope Cleopatra’s doubles its benefit goals for artist, curator, and Dependent Fair founder Rose Marcus, to help her pay for major surgery–and so do many talented artists who’ve contributed to her benefit auction. All that, and more, after the jump!

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